In a brutal media environment, Evolve Media cuts staff

Evolve Media laid off eight senior executives in its publishing divisions last week as the company figures out how to keep up with the shift to quality content and a platform-dominated ad market.

Those let go included top people over centralized departments like design and marketing. The publisher of Mandatory (formerly CraveOnline), a bro-heavy content site for young men; and TotallyHer, a collection of lifestyle sites including Momtastic, Total Beauty and Dogtime; also let go editors-in-chief, consolidating leadership of its sites with a few top editors. The company has also cut salaries of certain top executives, and some of the recently departed said that the company paid little to no severance. (Evolve said severance paid depended on time served.) All in, the company is down to 150 full-time employees from more than 400 three years ago.

Evolve’s co-founders, Aaron Broder and Brian Fitzgerald, said the company took some revenue hits as advertisers have shifted their spending into programmatic avenues, which Evolve has never chased because the ad rates are lower than direct-sold ads, and as more of the ad pie goes to Facebook and Google.

Evolve has seen audience declines. Its men’s sites (classified by comScore as CraveOnline) collectively had 16 million monthly uniques in April, down from 17.8 million a year earlier, but individually, most of the men’s sites have less than a million uniques. TotallyHer’s monthly uniques were 23 million in April, down from 31 million a year earlier; the individual sites tend to reach under 2 million a month. (Figures are from comScore.)

Broder said the company is on track to be profitable again this year after losing money the past few years, helped by the staff cuts and a greater push into content marketing. He also said the company is “exploring reader-pay models,” emphasizing content by putting savings from laid-off editors-in-chief toward hiring more staff writers, and planning to prune the number of sites it represents.

“There’s a 100 percent flight to quality and programmatic,” he said. “But the notion that people don’t want to consume content on sites they’re passionate about is a fallacy. Our sites are, if not stable, growing over time. There’s a place in media for affinity-based sites.”

In web terms, Evolve is an old-timer. It was founded in 2000 as Gorilla Nation, an ad network. For years, it scooped up sites like TotalBeauty.com and AfterEllen.com at reduced prices and sold advertising across the dozen or so sites it owns, combined with other, long-tail lifestyle sites it represents. The company reportedly made up to $100 million in revenue that way along with mobile marketing company Apex Mobile Media and Martini Media, an affluent online ad network that Evolve bought in 2015.

“There are two concurrent flights — the flight to quality and audience data,” said Ben Kunz, evp of marketing and content at Mediassociates. “The challenge with these long-tail, aggregated networks is they kind of get stuck in the middle. It’s a weak position to be in.”

Publishers are starting to take a less-is-more approach to output. Evolve’s sites, meanwhile, are crammed with quick lifestyle and entertainment hits. Some of the sites produce as many as 600 to 800 pieces of content a month, mostly text- and photo-based, Broder said.

Broder wouldn’t say how many edit staffers Evolve has to produce all that content, though. Despite that high output, Broder said the sites have maintained high quality and serve their audiences, noting that the men’s sites have 50 million user sessions a month (“a crap load of user sessions”) without having to buy traffic as other digital publishers do to fulfill advertisers’ campaign requirements.

“None of the sites are The New York Times — it’s against passions; they’re gaming reviews,” Broder said. “You will see tons of content, and the content’s quality.”

The areas that Evolve is betting on for growth are already crowded and difficult. Almost every publisher has a branded content studio, and the nature of the work makes it hard to make decent profit margins. Getting readers to pay for online content is hard enough for established news organizations, to say nothing of lifestyle publishers. (Broder admitted that reader revenue “hasn’t worked out for most in the lifestyle space,” but insisted Evolve has “affinity in that space.”)

Being independent, Evolve also has less room for error. Evolve took funding for five years from Great Hill Partners, a private equity firm, but since 2012, it’s been self-funded by its co-founders and a few other individual investors. One way it’s found savings is by shifting some back-office functions like tech, design and finance to Mexico, where labor is cheaper.

Fitzgerald, who casts himself as a survivor as an independent operator, said being self-funded and without a board and big outside investors also enables Evolve to act faster to changing market conditions, in contrast to venture capital-backed media companies like Mashable and Mic that scaled to big heights on Facebook, only to fall when Facebook stopped sending them loads of traffic.

“I do think we are unique in our proactiveness, our determination to critically self-assess and make changes to adapt to the market in a nimble manner,” he said. “Unlike other companies, where management may only own a small piece of the business and that ownership piece is buried under large investor preferences on liquidation, we own this business and stand to gain or lose everything from its success or failure.”

The post In a brutal media environment, Evolve Media cuts staff appeared first on Digiday.

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Overheard quotes, matching outfits and soup: The best of offbeat agency Slack channels

Ad agencies use Slack to deepen their relationships with clients and structure their workflows, but it’s not all work and no play. Agencies including R/GA and Burns Group have created Slack channels to discuss topics like the company cafe’s soup offerings, TV shows and quotes heard around the office.

Digiday compiled a list of unconventional channels:

R/GA: #soupsitch
R/GA staffers in the New York office use the #soupsitch channel to review and rate the soups the agency serves in its cafe. Employees post videos of themselves trying the soups and suggest hacks to improve them, like adding cheese from the salad bar. The cafe’s chef uses #soupsitch to find out the soups people like best more often. Once, employees campaigned for a grilled cheese and tomato soup and the next week, the chef obliged.

A conversation about soup bowls taking place in R/GA’s #soupsitch Slack channel.

Burns Group: #BG_Twinning
One of Burns Group’s most amusing Slack channels is #BG_Twinning, for photos of co-workers wearing similar outfits. Burns Group CEO Joanne McKinney said it’s one of her favorite channels. “We know we have a lot in common — obviously, we share the same career and spend every day together — but it still surprises me every time.”

A photo shared in Burns Group’s #BG_Twinning Slack channel

Firstborn: #FB_Brew
Firstborn has Slack channels for employees who like running and barbecue, but the most popular one centers around beer. The #FB_Brew channel was born after employees started to bring in their favorite local beers and host weekly tastings. Then, Firstborn began brewing its own beer in-house for its events and to send to clients to celebrate project launches. “We use the Slack channel to develop recipes, share new designed labels and discuss all things beer,” said Ben Kainz, producer and brewmaster for Firstborn.

A photo of Firstborn’s homemade beer in its #FB_Brew Slack channel.

North: #random_heard
The Portland, Oregon-based creative agency created its #random_heard channel for employees to share their favorite quotes they overheard around the office. “It’s good for keeping people humble, and even better for blackmail,” quipped Jordan Delapoer, partner and director of brand strategy at North.

Quotes from North’s #random_heard Slack channel

PMG: #couch-potatoes
In PMG’s #couch-potatoes channel, employees discuss their favorite TV shows and movies.

A conversation in PMG’s #couch-potatoes Slack channel

Deutsch: #leftovers
Agency hours can be long, so it’s important to know where the next meal is coming from. In 2016, a Deutsch intern created #leftovers to alert Deutsch’s New York office to free food. “With free food, the faster you can make it to the 14th-floor kitchen, the more likely you are to get the Dunwell donuts,” said Vonda LePage, evp and director of communications at Deutsch.

The first message in Deutsch’s #leftovers Slack channel

Digital Kitchen: #random
This Digital Kitchen channel is where bizarre and offbeat articles are shared. “Opinions are shared, alliances are formed and lifelong friendships are forged through every Lil Tay post and LaCroix dissection,” said said Joran Thompson, the agency’s director of business development.

A conversation in Digital Kitchen’s #random Slack channel.

The post Overheard quotes, matching outfits and soup: The best of offbeat agency Slack channels appeared first on Digiday.

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Pinterest’s video ads are getting bigger, but they’re not going full vertical

Pinterest just introduced a new video ad product as it tries to get advertisers to put more of their budgets into the platform. In line with its style of not just copying its peers, Pinterest is approaching video ads in its own way.

Pinterest’s new video ads take up more real estate on users’ smartphones, but unlike Instagram and Snapchat, Pinterest has yet to go to full-screen video. The new ad product, now in beta and slated to be released later this year, appears in full width on smartphones. For Pinterest, the move is a step toward offering diversified ad products and introducing motion via autoplay ads to get users’ attention in a feed of still photos. Sound will play only if the user clicks the ad. According to Pinterest, 80 percent of its users access Pinterest on mobile devices.

“We wanted to maximize the width to allow for more impact in the feed while Pinners are browsing for ideas before and after the video. This makes the video more native to the discovery mindset on Pinterest,” a Pinterest spokesperson said.

Pinterest first released video ads two years ago as more ad budgets moved into social video and mobile. Early adopters of Pinterest’s video ads said the product didn’t offer much reach. Pinterest’s resistance to full-screen video on mobile didn’t come as a surprise to buyers. In fact, a break from the norm aligns with buyers’ perception of Pinterest.

Amanda Grant, GroupM’s U.S. head of social, said the full-width approach makes sense for Pinterest and that it could be a stepping stone to vertical video.

“I think Pinterest is cutting down on the need [for users to click on ads] to be a bigger player in the video space,” Grant said. “Pinterest is probably looking to really test out how users on this platform will react and experience it.”

Pinterest’s new full-width video ad

Kerry Perse, director of social at OMD USA, said she didn’t think Pinterest was missing out by not offering vertical video for advertisers or a product that resembles Stories on Snapchat and Instagram for users.

“People use Pinterest so differently than they do the platforms that have Stories. For Pinterest, it’s more about planning, research, searching for things and a little bit of inspiration,” Perse said.

Regarding user base, Pinterest is nowhere near the size of Facebook and YouTube. The platform has almost 250 million monthly active users, Bloomberg reported, citing people familiar with the matter. But the 8-year-old social network has continued to dominate in particular demographics and interest groups, media buyers said.

While teens have been spending more time on videocentric YouTube and Snapchat, according to Pew Research Center’s recent study, media buyers said Pinterest’s main demographic is still 25- to 54-year-old women.

Popular categories on Pinterest include fashion, food, travel and beauty. Pinterest also has been trying to promote more verticals, including entertainment, the buyers said.

Pinterest has been growing in revenue. Bloomberg reported last week Pinterest’s revenue was $473 million last year, up by 58 percent the year prior. Yet eMarketer does not yet track or project ad revenue on Pinterest.

“The challenges with Pinterest is because it’s not the typical news feed style, the messaging and the content can get lost and a little bit cluttered, and the delivery mechanism for video is not nearly as clean as it is on Facebook, YouTube and Twitter,” said a major media buyer who has worked with Pinterest.

Pinterest’s traditional video ad

Pinterest continues to evolve from advertisers’ point of view, Grant said. “You go two, three years back, it’s all about weddings and DIY. Now, it’s [seen as a] great visual platform.”

The post Pinterest’s video ads are getting bigger, but they’re not going full vertical appeared first on Digiday.

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How publishers get their employees to come up with new product ideas

Last summer, in a hunt for new product ideas, Politico turned to its employees. The publisher held a “Shark Tank”-style competition, a first for the company, where staffers from across the organization pitched ideas for new and improved products.

Politico joins other publishers that are turning to their own employees to develop new revenue ideas. Before it was acquired by Meredith last fall, Time Inc. ran a similar internal competition that attracted nearly 60 submissions from employees. The Globe and Mail in Toronto and New York Daily News have run their own accelerator programs for years. Those programs have resulted in The Globe and Mail’s Workplace Awards, a profitable award and events program, and an ad-viewability tool at the Daily News.

Finding new sources of revenue has become a top priority for publishers everywhere. But in these cases, the goal is also to instill entrepreneurial thinking in a mature industry. The Globe and Mail’s internal accelerator, Lab 351, has yielded products including Sophi and Delphi, tools that assign value to stories before and after they’ve been published. It’s also run dozens of employees through sessions designed to give them an innovation-focused mindset.

“We’ve spent nearly 170 years focusing on the day to day,” said Sean Stanleigh, Lab 351’s co-chair. “Innovation is not a day-to-day process. Innovation is a long game.”

These programs can require substantial resources.

The Globe and Mail runs two programs through Lab 351. The shorter program, called Redbox, runs around 20 participants every quarter through a two-day stint where each participant gets $1,000 to develop an idea they bring to the sessions. Participants in the longer program, called Bluebox, get three months and up to $100,000 to work on developing something more fully. Bluebox participants are paid their regular salaries during the development period and are promised their old jobs back when it ends.

There can be other costs. A current Bluebox team includes a reporter, so Stanleigh said he gave that reporter’s editor a freelance budget so there wouldn’t be a loss of editorial output.

“You’ve got to spend money to make money,” Stanleigh said.

A limitation of these skunkworks is that publishers aren’t always staffed to take ideas to the next level. In 2015, the Daily News’ Innovation Lab helped Keith Candiotti, who directed the publisher’s ad operations at the time, develop Optimera, an ad-viewability tool.

Over a year, the idea turned into an ad tech product used by the Daily News and its sister company, U.S. News & World Report. But before long, Candiotti realized the Daily News, which was struggling, lacked the muscle necessary to push the product aggressively into the market.

“For the year and a half that Optimera was live, it was a garage business,” Candiotti said. “I was reaching out to friends in ad ops, but I can’t say I was putting forth a serious sales effort.”

Eventually, Candiotti left the Daily News and applied to Matter, a digital media incubator with campuses in New York and San Francisco. In February, Optimera was named a member of Matter’s 2018 class, and Candiotti is running Optimera through Matter’s boot camp.

Publishers including The New York Times, The Associated Press and McClatchy have used organizations like Matter to develop products. The AP has teams running three product teams through Matter’s acceleration program. Since AP became a publisher partner three years ago, over 70 AP staffers have participated in Matter’s boot camp.

“If you’re going to be a media organization that survives, your job is not just to come up with the next thing,” said Corey Ford, Matter’s managing director. “Your job is to build a culture and processes that meet the world as it’s changing.”

The post How publishers get their employees to come up with new product ideas appeared first on Digiday.

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Facebook Nears Deals on News Shows for Its Video Platform

Facebook is close to announcing a first crop of news shows for its video platform Watch that will likely include content from Fox News and CNN, capping months of turbulent talks and several strategy shifts by the social-media company, people familiar with the matter said.

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Podcast: Futurama With Datorama

AdExchanger Talks is a podcast focused on data-driven marketing. Subscribe here. This week on the podcast, Katrin Ribant joins us in the studio for a discussion of the ever-more-complicated data landscape. Ribant spent many years at Havas and helped build its Artemis data platform before co-founding Datorama in 2012. “I was always very interested in the dataContinue reading »

The post Podcast: Futurama With Datorama appeared first on AdExchanger.

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Refinery29 UK wins Publisher of the Year at the Digiday Media Awards Europe

Millennial women’s publisher Refinery29 UK is Publisher of the Year at the Digiday Media Awards Europe.

Refinery29’s U.K. arm, launched in 2015, has made an impact by covering women’s issues such as the criminalization of upskirt photography and representation of periods in the media.

The Digiday Media Awards Europe is a new Digiday awards program that recognizes companies modernizing European media. Other winners include Vice UK for Video Team of the Year; Reuters for Best Use of Technology for its Reuters Connect content platform; and The Times of London for Best Use of a Podcast and Best Email Newsletter.

View all of this year’s winners below.

Publisher of the Year
Refinery29 UK

Video Team of the Year
Vice UK
Instead of relying on short-form videos for social feeds, Vice focuses on long-form videos that examine global issues affecting young people, including politics, mental health, drug culture and nightlife.

Best Content Studio
24sata – 24sata Native
In 2017, 13-year-old Croatian news outlet 24sata created a native advertising studio. The company grew revenue 40 percent last year by convincing advertisers such as Coca-Cola and contraceptive pill Pliva to invest in digital content in a traditionally conservative media market.

Best Brand Partnership
Brave Bison and Sports Interactive – “Park Life”
To drive interest for Sports Interactive’s desktop computer game “Football Manager 2018,” video content company Brave Bison created a four-episode YouTube series called “Park Life” that chronicled the ups and downs of a group of football players, weaving elements of the game into the story.

Best Social Video Campaign
Ladbible Group – “Trash Isles
To draw attention to lethal levels of plastic in the world’s oceans, Ladbible Group encouraged young people to sign up as residents of the Trash Isles, the first country made out of trash. By becoming a country and a U.N. member, the Trash Isles would be protected by U.N. environmental principles, obligating other countries to clean it up.

Best Use of Technology
Reuters Connect
Reuters Connect is a digital content platform available to journalists, partners and other customers that houses all Reuters’ 14 million pieces of content, including interactive graphics, videos, photos and visual archives dating back to 1896.

Best Brand Video – Series
24sata and Coca-Cola – “Share the Dream”
To drive awareness of Coca-Cola’s Shake&Take rewards app among kids and millennials, 24sata created a scripted YouTube series chronicling students at the fictional YouTube Sciences Academy, where young YouTubers perfect their art.

Best Brand Video – Single
DMS Media and Toyota – “Fredric Aasbø and the Donuts From Space”
DMS Media’s campaign for Toyota’s GT86 model involved creating the world’s largest piece of drift artwork, which was visible from space.

Best New Vertical/Brand
Football Whispers
Football Whispers, launched in 2017, uses proprietary sports data and engaging visuals to deliver detailed analysis of every aspect of a football game. Its first algorithm was Transfer Index, which predicted the likelihood of a transfer, and it has since added six more algorithms, including Player Values, Predicted Lineups and Player Ratings.

Best Use of Snapchat
VG – Snapchat Discover
VG, Norway’s largest newspaper, used Snapchat starting in January 2017 to reach millennials with a 11-snap daily news edition that VG says 1 million people view each month.

Best Use of Facebook Live
Lime Pictures – “Hollyoaks Slice of Summer
To keep viewers engaged with British soap drama “Hollyoaks” during the summer, when viewership tends to fall, Lime Pictures worked with broadcaster Channel 4 to bring five post-show discussions to Facebook Live in July 2017, reaching over 2 million people.

Best Use of a Podcast
The Times of London and Sunday Times – “Walking the Dog
The Times put a spin on the celebrity interview, inviting prominent British celebrities like presenter Jonathan Ross, former football player Gary Lineker and comedian Sarah Millican to speak candidly about their careers, personal lives and, of course, their dogs.

Best Use of a Messenger Bot
MummyPages – Pregnancy Bot
MummyPages, Ireland’s leading website for new and expectant mothers, developed a bot in-house that would deliver information whenever a woman requested it, then ask her how she feels and tailor information to her based on her responses.

Best Live Event
Refinery29 UK and Nars – “Power Mouth
To drive awareness of makeup brand Nars’ new Powermatte Lip Pigment, Refinery29 UK combined its makeup expertise and artistic roots to create “Power Mouth,” a two-day event at London’s Protein Studios featuring digital art, photography and live performances from up-and-coming female artists.

Best Use of Audience Data
Jukin Media – “People Are Awesome”
Video content company Jukin Media combed through thousands of submissions to create its roundup video “People Are Awesome,” which features people performing activities like skateboarding, competitive jump roping, champion cup stacking, juggling and skydiving.

Best Email Newsletter
The Times – Red Box daily politics briefing
Started by the Times after the 2014 U.K. general election, Red Box is a daily political briefing that aims to explain why political events occur and their importance. It also promotes the Times’ political podcast, also called “Red Box,” and subscriber-only Times+ events held around the U.K.

Best E-Commerce Strategy
Ringier Axel Springer, Newsweek Polska and Savings United GmbH
Leveraging affiliate links and a trusted news source, Ringier Axel Springer monetized links on Newsweek Polska, achieving market leadership in the Polish voucher code industry.

Best Branded Content Program – B2B
WP BrandStudio and Siemens – “Defending Against a Cyber Attack
To build Siemens’ recognition as a cybersecurity leader, WP BrandStudio created a 3D experience where users learn how a cyberattack occurs and how to limit these risks.

Best Branded Content Program – B2C
WSJ. Custom Studios and National Geographic – “Connecting Cultures
To celebrate the anniversary of airline alliance Star Alliance, WSJ. Custom Studios and National Geographic created a series of short films about the places Star Alliance’s airlines serve, from Thailand to the Arctic.

Best Mobile Innovation
Gatwick Airport Official app
Gatwick Airport wanted to create a more useful airport app for the millions of people that pass through each day. The app surfaces useful features of the airport for travelers, including a mobile-friendly reservation system for the airport’s parking lots, augmented reality wayfinding through the airport and the ability to purchase a fast pass through security queues.

Best Custom Advertising
Snickers and Spotify – “The Hunger Spotter”
To refresh its 5-year-old slogan, Snickers worked with Spotify to identify when streamers weren’t listening to their usual music genres, and Spotify then served them Snickers ads with the familiar “You’re not you when you’re hungry” messaging.

Best Multi-Platform Video Campaign
Ladbible Group – Trash Isles

Best Live Moment
Social Chain and Superdry – Firestream
U.K. clothing retailer Superdry capitalized on the social spectacle of the U.K.’s Bonfire Night on Nov. 5 by aiming to blow up a Superdry-branded Volkswagen Beetle filled with fireworks. On Facebook Live, users commented “FIRE” to ignite a fuse leading to the car. The payoff was £250 ($332) in Superdry vouchers.

Most Innovative Video Partner
Jungle Creations
Socially driven publisher and creative marketing agency Jungle Creations, which counts Virgin, Unilever, Oreo, Iceland and McDonald’s among its clients, generated over 507 million video views for clients in 2017.

Most Innovative Web Platform
Appsumer
Appsumer is a unified data intelligence platform that calculates return on investment on ad spending for performance marketers in the mobile space.

Best Interactive Content Platform
Trigger Global and Lego – Lego House Fish Designer
To inspire children through play, Lego created a hub at the Lego House in Billund, Denmark, where children can use Legos to build undersea creatures. Kids scan and upload finished designs to the Fish Designer, a digital underwater world.

Best Video Marketing & Advertiser Platform
LoopMe
In 2016, mobile-first video advertising platform LoopMe launched PurchaseLoop, an artificial intelligence-driven video product that optimizes video campaigns for clicks and views.

Best Video Distribution Platform
Brightcove and GSN – Walter Presents
To refine its over-the-top strategy, streaming platform Walter Presents used Brightcove’s OTT Flow product to alleviate costs while enabling the scale needed to reach the desired audiences and markets.

Best Native Advertising Platform
Strossle – Zoznam Audience Boost
Concerned about the duopoly’s influence on audience traffic, Zoznam, one of Slovakia’s top media companies, turned to Strossle, an audience-sharing platform that uses AI to market content to other, relevant audiences in a publisher network. Zoznam saw higher user engagement from other media sites than from platforms.

Best Display & Programmatic Advertising Platform
SpotX
SpotX is a video advertising platform that enables publishers to monetize premium content across desktop, mobile and connected TV devices. In the last 12 months, SpotX has built out its digital video marketplace, introduced further audience data safeguards, invested in video format platform Vemba and worked with DoubleVerify to identify fraudulent inventory.

The post Refinery29 UK wins Publisher of the Year at the Digiday Media Awards Europe appeared first on Digiday.

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BMW’s Mini USA Launches Regional Media Review to Consolidate 127 Dealerships With One Agency

Mini USA, a BMW-owned brand, confirmed to Adweek that it launched a regional media review to be handled by the Burnett Collective. The review focuses on the retail communications of its 127 dealerships in America. A Mini USA spokesman said the review will not affect IPG Mediabrands’ UM, which is the auto brand’s national lead…

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Samantha Bee Apologizes for Her Ivanka Trump Expletive as Autotrader Pulls Out of Full Frontal

Amid an advertiser and conservative backlash, Samantha Bee has apologized for calling Ivanka Trump a “feckless cunt” on last night’s Full Frontal With Samantha Bee. The comment came during a Full Frontal segment in which Bee was discussing how the U.S. Office of Refugee Resettlement had “lost” 1,500 migrant children last year, and how the…

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Cuyana’s First Store in NYC Is the Company’s Culmination of Everything It’s Learned in Retail So Far

After four years of testing pop-up shops in New York, Cuyana, a direct-to-consumer women’s fashion brand, is opening its first brick-and-mortar store in the city. The store will open in Manhattan’s SoHo neighborhood on May 30 and host a variety of events to lure people in. It’s the third store for the ecommerce company, which…

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