The New York Times’ T Brand Studio International seeks video talent to stay competitive

The New York Times’ content agency T Brand Studio International is expanding its headcount across Europe to keep pace with advertiser demand and stay competitive with local media.

The international arm of the publisher content studio, which launched in London in 2015, had been more reliant on the resources of the New York-based mothership to fulfill video projects. That’s changing. T Brand Studio International has doubled its head count in the U.K. to 30 in the past year, adding more designers, project managers, creative directors and producers. Now it wants to add more video talent to meet the increased appetite for video-based campaigns in Europe, said Rachel Bubar, director of T Brand Studio International.

About a quarter of the content T Brand Studio International produces is video, said the publisher, but the plan is to grow that. To that end, the publisher this week is kicking off T Selects Europe, a monthlong search for international film directors and cinematographers to share their work.

The plan is to hire five filmmakers for a one-year period, although not as permanent staff but to work on specific projects. These five will also get the chance to work on live client projects for T Brand and potentially get to pitch ideas for them. T Brand Selects is a format the Times has run for several years from the U.S.; this is its second application outside the U.S. and will be the first of more to come, said Bubar.

“Now that we’ve expanded internationally, it makes sense for us to use more local resources,” said Bubar. “We’re getting more RFPs [requests for proposals] asking for video, and we need to be able to work with folks who have local knowledge. It will allow us to be more efficient and faster.”

T Brand International launched in 2015 with four people and has grown steadily despite high domestic competition. The European campaigns were generally created and executed by the U.S. where most of the resources were, but the London division has taken on more of the campaign work itself, and the video move is the latest example.

The Selects program is also a way to raise the brand of the Times in Europe, where the Times has been looking for overseas growth. The global interest in the U.S. elections and Trump-related news has helped give The New York Times and Washington Post a boost overseas. A third of the Times’ subscribers are outside the U.S., according to the publisher. International digital subscribers grew to 14 percent of its total 2.2 million digital subscriber base in 2017.

That said, it takes time to establish the Times’ domestic brand dominance in overseas markets. “The New York Times hasn’t totally shed its American badge, but it’s making in-roads,” said Maria Dsouza, partner at WPP’s Wavemaker content arm. “Coverage around areas like the U.S. elections has really opened doors for U.S. titles like the Times.”

What T Brand Studio International lacks in scale outside the U.S., it hopes to make up for in information about its audience, which is highly sought after by agencies.

To grow interest in markets outside the U.K., T Brand has also done campaigns in non-English languages such as French and Italian, said Bubar. It now has clients such as German appliance manufacturer Bosch on its roster, for campaigns in the U.K., where the company is popular. The campaign used local U.K. influencers that T Brand has access to through the Times’ acquisition of influencer marketing agency HelloSociety in 2016.

“We have a huge amount of competition outside the U.S. where we’re the No. 1 partner for advertisers,” said Bubar. “Internationally, we have to sometimes justify our readership and presence here. That conversation [with buyers] will happen before we can even get to what a campaign will look like. But just being on the same time zone, and being local for our partners is key for us getting more business.”

The post The New York Times’ T Brand Studio International seeks video talent to stay competitive appeared first on Digiday.

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TV networks get in on the live trivia app trend even as the hype cools

HQ Trivia became a viral sensation last year, getting millions of people to show up for daily live trivia games in hopes of winning cash prizes. Competing live trivia apps like The Q and FleetWit followed. Even Under Armour had created one. Now, TV networks are getting in on the trend — though they might be too late to the party.

On Sept. 5, Samantha Bee, star of TBS’s political satire show “Full Frontal with Samantha Bee” played along with a roomful of people at the Helen Mills Theater in Manhattan to demonstrate the show’s new live trivia app, “This is Not a Game: The Game.” The game, like the show, is tied to the midterm elections and is meant to get people to the polls (and watch “Full Frontal,” of course).

“Just a few years ago, it was enough to use advertising to funnel customers through the front door of TV,” said Michael Engleman, chief marketing officer for TBS and TNT. “Today, we must create paths to discovery across digital, social, live events and, of course, gaming.”

Fox also introduced a live trivia app in August, “FN Genius,” hosted by Jordan L. Jones, who stars in the new Fox comedy “Rel.” An executive at another TV network said they are actively working on an app as well that would rival HQ, but requested anonymity because they are under contract to not reveal the project.

Like HQ, all these trivia games invite people to sign onto apps at specific times during the day to play live games and win prizes, mostly money. For the networks, they’re a way to promote their shows and get first-party data, something they generally lack. TBS’s game has players sign in through Facebook or with an email while Fox’s FN Genius asks for players’ phone numbers to alert them to upcoming games.

“Studios already are paying big marketing dollars to reach the rabid, albeit fickle, young audience and promote their latest movies and television shows,” said Peter Csathy, founder and chairman of advisory firm Creatv Media. “Why not do it themselves, with their own IP, and at least gain some valuable insights and intelligence in the process?”

Acquiring more first-party data is becoming increasingly important as the industry moves toward an addressable advertising model, which lets TV advertisers target viewers based on location, income and time spent thanks to the rise of streaming services.

Launching a gaming app also opens up other sponsorship and advertising opportunities. HQ has driven revenue from brand takeovers with companies like Nike and Warner Bros. Although most apps don’t immediately launch with an advertiser, Fox’s FN Genius has already signed on Twix.

There are obstacles, like money. TBS, for instance, has to cough up up to $5,000 in prize money for each game. “I think these brands will quickly find out that it is a huge undertaking, resource-wise and technically,” said Bridget Fahrland, svp of client strategy at digital agency Fluid.

Advertisers also say the desire to play live trivia apps might be cooling. “If you play HQ Trivia, like me, a few times a week, you will also know that the love affair with the app is cooling, and fewer people are playing the everyday rounds, although big purses still have a draw,” Fahrland said.

HQ Trivia’s downloads and app store rankings are definitely sinking. TechCrunch recently ran an article laying out HQ’s decline. App Annie’s ranking history show HQ Trivia has slipped from No. 1 in the Apple app store in February to No. 585 in August. HQ Trivia is likely hoping that new features will kick up participation. A tweet in August from Rus Yusupov, CEO and co-founder of HQ Trivia, parlayed questions about the app’s growth to new game formats coming out, one of which is the app’s new integration with Apple TV.

“Experimentation is always a good thing, even if it is a bit late in the curve,” said Csathy.

The post TV networks get in on the live trivia app trend even as the hype cools appeared first on Digiday.

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The post Podcast Upfront 2018: Networks Get Numbers To Back Up Their Shows appeared first on AdExchanger.

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