Digiday Awards Winner’s Circle: CLICKON and Native Advertising’s Role in Marketing

Digiday’s awards honor the best work across media and marketing. Winner’s Circle is a series that shines the spotlight on Digiday Awards winners: After the ceremony is over and all the champagne is gone, we ask the winners a few questions about the campaign that won them their top honor.

When CLICKON Media teamed up with General Tires for their Anywhere is Possible campaign, the focus was on finding an edgy real-life story that encapsulated multiple brand elements and could be shown in a dynamic way. Enter Andrew Cotton — a big wave surfer from Devon who refused to let an accident that could have paralyzed him derail his dreams. CLICKON knew his story was it: together, they worked through a dreary English January to shoot what would become a documentary centered on perseverance. The documentary racked up over 230k views by week two of the six-week campaign, far outperformed Facebook’s click-through rate benchmarks for Auto brands and won the award for Best Use of Native Advertising at the 2018 Digiday Marketing and Advertising Awards Europe.

Following his win, we had the opportunity to discuss the campaign and its impact with CLICKON CEO Richard Wilson.

Andrew Cotton’s story is obviously amazing, but what in particular drew you to his story?

What drew us in particular to the story was the defiance of Andrew; a strength which came from the foundations of family support. It was, therefore, the human element to the story that we feel gave the documentary its raw emotion.

The surfing challenges he undertakes are without a doubt impressive but it was his journey and determination to get ‘back out there’ and not be defeated by near death and being paralyzed that made this such a compelling story for us and for the client, General Tire.

This campaign lends itself to visuals. What was the most important detail when seamlessly adapting this content to suit each platform?

The sense of courageous adventure within Andrew’s attitude and his lifestyle was the most important factor to communicate on all platforms. Wide landscape shots and 90-foot waves are not something that could have the same impact on all screen sizes and aspect ratios. But the incredible attitude behind his story was something that transcended all platforms.

Our in-house studio teams operate in an ‘always on’ mindset. Whenever they go into production they plan to capture footage that can be delivered across multiple distribution channels. Typically, we deliver over 28 individual pieces of content for every campaign we do.

What are some of the biggest changes this story underwent from the beginning to the end of filming?

The biggest change to the story was the extent of his injuries. After the accident, it was not clear that he would be able to walk or drive while recovering from a broken back. As it was key for our brand partner General Tire to provide a sense of journey with not only Andrew but his car, our narrative had to be fluid with his story. This meant we had to adapt our storyboard and locations weekly, running up to the shoot, which was influenced by his recovery in real time.

Another notable challenge was the underwater sequences which provided a critical narrative to Andrew’s story. The sequence was filmed with our own team working alongside an underwater team from BBC’s Natural History team who delivered Blue Planet.

How do you see the place of native advertising in the marketing industry changing in the next five years?

We believe native advertising will play a more and more important role in branded advertising in 2019 and beyond. We’re seeing brands and clients actively move away from interruptive advertising to formats toward those that add value and depth to the conversation.

The ‘Wavemaker’ campaign and Andrew’s story is a perfect example of how brands can align themselves with cultural relevance: educating, informing and inspiring audiences all at the same time rather than intruding with meaningless ads.

As advertising challenges increase we ensure campaigns like these deliver enough content and supporting assets to power messaging across every marketing channel. Rather than activating a single campaign each year, we provide the agility, efficiency and expertise to run campaigns like this every month. Helping brands become their own original storytellers whilst allowing them to differentiate and build loyal audiences in a crowded advertising space.

The post Digiday Awards Winner’s Circle: CLICKON and Native Advertising’s Role in Marketing appeared first on Digiday.

Digiday Awards Winner’s Circle: The Hook and Lionsgate Take Back Halloween

Digiday’s awards honor the best work across media and marketing. Winner’s Circle is a series that shines the spotlight on Digiday Awards winners: After the ceremony is over and all the champagne is gone, we ask the winners a few questions about the campaign that won them their top honor. 

Jump scares and creepy clowns aren’t just for the silver screen. The Hook, in partnership with Lionsgate, brought the terror of the “Saw” franchise to computer screens around the world with their “Jigsaw” promotional campaign. From blindfolding and scaring popular influencers to pranking the unsuspecting public, this campaign pulled out all of the stops. The Hook took home Best Agency/Client Collaboration at the 2018 Digiday Marketing and Advertising Awards Europe for this three video series that created hype for the first new “Saw” film in 7 years.

We talked to Alvin Hussey, insights and business development director at the Hook, about using video as a medium for branded content and what it takes to build a successful agency-client collaboration.

Obviously, the campaign was centered around the release of the “Jigsaw” film — but what has the engagement/response been like after the film was released?
It’s been so great and the buzz about the campaign has really helped it to live on beyond the release of the film. We actually picked up a Digiday Publishing Award for Jigsaw (our first ever award) at the ceremony in NYC in March before the Digiday Marketing & Advertising Awards. We’re up to 6 trophies for this particular campaign so far this year and 12 on the whole so it’s all been pretty incredible for us. We’re so honored to get this kind of recognition and to have this support from Digiday means everything.

Why was video the chosen medium for the three pieces of content created?
It was a natural decision to use video, especially for movie promotion, to tell the strong narrative. We were looking to directly mirror the sentiment of “Jigsaw” in our branded content, to play on the plot of the movie and draw the right emotions from our fans to help scare, entertain and whip up anticipation for release.

How did The Hook/Lionsgate partnership start and how has it evolved?
We’ve worked with Lionsgate on a number of campaigns now, including our very first content video promotion, and what’s so great about the team is their willingness to be brave and push boundaries when it comes to social. For the “Jigsaw” campaign we knew that if we could somehow get time with the official “Billy Puppet” from the franchise and Tobin Bell, the actor that plays him, we could really make the campaign sing. This was a big challenge and involved a lot of moving parts with the Lionsgate team doing everything they could to help make it happen. We’ve got some more exciting branded content pieces to come for Lionsgate too!

What’s the key to a successful agency/client collaboration?
It’s really about being open and honest from the outset and to make sure that you build a strong working relationship so that the trust is there. It might seem obvious, but the KPIs and the do’s and don’ts from the brands/clients’ perspective need to be established right away so that there are no surprises later in the creative process. Again, like Lionsgate and many of our clients that we work with, if you’re willing to be brave and push those boundaries on social then you give the campaign every chance to succeed.

Learn more about our 2019 awards programs by clicking here.

The post Digiday Awards Winner’s Circle: The Hook and Lionsgate Take Back Halloween appeared first on Digiday.

The Mindset Behind Creating Content in 2019 | Dailyvee 526

The Mindset Behind Creating Content in 2019 | Dailyvee 526
It’s crazy how much the internet has changed the entire game.

You can literally make $100,000 a year selling Smurf T-shirts on the internet … or build an audience by doing nothing else but documenting how you’re living your life.

Hope you all take advantage of this incredible era instead of sitting and dwelling on what you don’t have!


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Gary Vaynerchuk is the chairman of VaynerX, a modern-day media and communications holding company and the active CEO of VaynerMedia, a full-service advertising agency servicing Fortune 100 clients across the company’s 4 locations.

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The post Polish Privacy Group Celebrates Data Protection Day With A Nastygram For RTB appeared first on AdExchanger.

T-Mobile Announces Super Bowl Return With Twitter Puzzle

T-Mobile will once again return to the Super Bowl this year. CEO John Legere announced the carrier’s participation through a series of mostly baking-related tweets this week in which the first word of each revealed the sentence, “T-Mobile is back in the Super Bowl again.” It’s unclear whether the content of the tweets is related…

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