Retail Briefing: Inside the world of retail arbitrage on Amazon

Not all sellers on Amazon’s third-party marketplace are treated equally.

As more brands shift business to the marketplace to push direct sales, Amazon is giving special treatment to the most prominent sellers, those who have brand equity outside of Amazon, an existing customer base and actual marketing budgets. These select brands are invited to participate in special groups, and given preferred placement during promotions around big events like Prime Day and Cyber Monday. Further down the seller totem pole are the sellers that use the retail arbitrage strategy to make an income, earn money on the side, or fund private-label businesses on Amazon.

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‘Our focus is on our own footprint’: DTC brands are pumping the brakes on wholesale partnerships

It’s a common journey for DTC brands to start selling online-only before making a few partnerships with wholesale retailers, but those partnerships do not come without their own tradeoffs. Increasingly, brands are refocusing on direct sales, as wholesalers push them to sell at a scale outside of their means.

The Arrivals began its sole wholesale partnership with Nordstrom in September, but had to pull back on the partnership a bit after Nordstrom aggressively pursued a much larger wholesale launch than the brand desired, said David Hauser, head of finance and operations at The Arrivals. While The Arrivals is currently sold at only six Nordstrom locations, the retailer initially pushed to get the brand to sell in nearly 40 stores. This is consistent with Nordstrom’s recent strategy of snapping up as many online DTC brands as possible for their brick-and-mortar debut.

“Nordstrom was quite aggressive with how many stores they wanted us to be in and we had to pull back a little bit,” said Hauser. “For us, especially because we do everything in-house, it’s important to own our brand identity. We pulled it back to six stores so that we could have a bit more control over everything that happened.”

In many ways, Nordstrom’s aggressive push mirrors the way Sephora interacts with DTC beauty brands. The retailer is notorious for snapping up new indie beauty brands, sometimes within a year of their launch, and pushing them to sell at scale to the point where many of those brands have to seek outside funding in order to keep up.

Other brands that have experimented with wholesale have cited retailers’ pushes to scale as being harmful to a new brand. Without naming specific retailers, Jessica Davidoff, the CEO of direct-to-consumer handbag brand State, said wholesalers often push DTC brands to do large debuts that are difficult for a smaller brand to manage.

“There are times when a major retailer can get excited about a new startup, and they want to do an exclusive and sell hundreds of bags at one store when it’s still really early in a brand’s life,” she said. “That’s a lot of bags to sell to meet expectations.”

Controlling the narrative
In addition to the problems of scale, wholesale also makes it more difficult for newer brands to control how their brand and product is framed and presented to customers.

“We’ve had a lot of success with wholesale, but with direct, we can control our own story and our messaging in a way we can’t in wholesale,” said Davidoff. “We can push the entire collection, instead of just whatever small subset the stores buy from us. From a storytelling perspective, DTC is really helpful.”

Davidoff said State is working to bring its current split of 65 percent wholesale and 35 percent direct up to an even 50-50. The move toward more direct-to-consumer retail is a trend across fashion. The three biggest luxury groups, LVMH, Kering and Richemont, all significantly increased the share of sales that came from direct-to-consumer compared to wholesale over the last year. According to Glossy’s own research, only 9 percent of surveyed brands are planning to start selling through wholesale in 2019.

Retailers have come up with alternative strategies to entice DTC brands to sell through them, like Bloomingdale’s with its Carousel concept which lets DTC brands set up their own pop-up shops within Bloomingdale’s on a rotating basis. Doing so gives those brands more of an opportunity to bring their own visual flair and storytelling to their wholesale partnership.

A visibility boost
Of course, there are upsides to wholesale, especially for newer brands. For one, when brands are still trying to build up an audience, being sold in a place like Nordstrom can massively boost to visibility. Davidoff cited a correlation between the wholesale relationship State struck with Bloomingdale’s in Hawaii and a huge increase of sales in that state — a place where the brand previously had almost no presence whatsoever.

“That’s the major tradeoff; you give up some control,” Davidoff said. “Even the way they photograph for their websites is out of your control. Going direct, you can control the messaging, you can explain the value proposition in your own way. Take our giveback program that we talk about on our web site. At Nordstrom or wherever else we sell, we don’t have control over that story. At the same time, Nordstrom has done huge things for us, especially helping us with awareness.”

The Arrivals had similar results working with Nordstrom: It saw purchases from customers outside of the brand’s target audience.

“This was an opportunity to try out wholesale and try to reach a demographic that could not get to our New York location normally,” said Hauser. “But our website and retail locations have done super well, so we don’t need to rely on wholesalers entirely.”

For brands navigating the space between direct and wholesale, it can be easy to get sucked in by the allure of selling in a big-name department store. But going wholesale comes with its own drawbacks that continue to make a DTC business model attractive and worthwhile.

“Our focus is really on our own footprint first right now,” said Hauser regarding The Arrivals’ future DTC plans. “We are focused on our pop-ups and possibly a permanent location soon. The most important aspect is controlling the brand. What DTC provides is that direct communications feed and control of the narrative.”

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Bloomberg Media has developed technology to connect its TV and digital ad inventory

One of the most valuable pieces of technology in ad-supported media today is the tech that can connect media companies’ linear TV and digital advertising businesses. That technology doesn’t fully exist yet, but it’s beginning to take form.

Bloomberg Media has developed a technology called Bloomberg Interlink that, as the name suggests, will enable the media company to link its ad inventory across its linear TV network and digital properties. The company will initially use the technology to update the banner ads that appear on screen during its TV shows, but eventually, Bloomberg Interlink will enable Bloomberg Media to treat its TV commercial breaks and digital pre-roll and mid-roll placements as a single inventory pool.

Getting to that point will require time and testing given the revenue that’s at stake. “The biggest challenge that we’re thinking about is how does one try to create more dynamic inventory within those [linear commercial] pods without disrupting the TV marketplace that does quite well for us,” said Derek Gatts, global head of advertising innovation, technology and operations at Bloomberg Media.

That’s why Bloomberg Media is starting somewhat small with Bloomberg Interlink. For now, Bloomberg Media is using the technology to apply its Trigr ad product — which tailors a banner ad’s content based on stock market conditions — to the banner ads that appear on screen during Bloomberg’s TV shows. “We needed a technology that would help us bridge that need for real-time insertion,” said Gatts.

TD Ameritrade will be the first advertiser to use Bloomberg Interlink to run Trigr-powered ads on Bloomberg’s TV network.

Bloomberg Interlink serves as an intermediary between its broadcast transmission system and its digital ad server. The technology tracks the available inventory on Bloomberg Media’s TV network as defined by the broadcast transmission system. Then, it takes the ads that the digital ad server is looking to place and passes them to the broadcast transmission system to air on TV.

Bloomberg hopes to use Bloomberg Interlink to make the Trigr-powered banner ads available on its TV networks outside of the U.S. by the end of this year, said Gatts. “Then from there, we would start to look at potentially capitalizing on Interlink to use on other types of formats that we offer on TV,” he said.

Bloomberg Media is not the only media company trying to build a bridge between its linear TV and digital ad inventory. Comcast’s NBCUniversal and its ad tech sibling FreeWheel are working on that as well. And others such as AT&T and Google are likely to follow suit. The expectation that many companies will develop this kind of technology and the value of having that technology helps to explain why Bloomberg Media opted to file a patent for Bloomberg Interlink, protecting the technology that’s important in protecting the future of its advertising business.

“We felt like if this is where the marketplace is going and we are uniquely poised with the engineering capabilities as well as being a multi-platform global company, we should actually put a patent around this to make sure we protect this technology,” said Gatts.

By owning technology that’s able to connect TV and digital ad inventory, Bloomberg could opt to license the technology to other media companies and position itself as an ad tech alternative to FreeWheel and Google, which have established themselves as the foremost ad tech companies working with TV networks to bridge the linear-digital divide. However, that may be a ways off: “I wouldn’t say we are thinking about that yet,” said Gatts.

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How FAO Schwarz is plotting a comeback from the dead

FAO Schwarz, the 150-year-old toy retailer that closed its doors three years ago, is on a path to rebuild itself.

With a void left in the market following the fall of Toys “R” Us, FAO is betting that customers will be attracted to the nostalgia of the previously dead brand. To drive interest, the company has updated its retail experience to incorporate tech in-store, private label products that can’t be found outside FAO’s stores, and e-commerce. The company is also looking to expand beyond toys, looking to own the children’s products category through offerings that encompass wellness and apparel.

“We thought that FAO Schwarz can be a global kids lifestyle brand,” said David Conn, CEO of FAO Schwarz’s parent company ThreeSixty Group, which acquired the brand in 2016. “We always believed it had a story to tell and authenticity; we always felt it could be much bigger than toys.”

In 2001, FAO Schwarz had 41 stores; it’s since gone through several owners in recent years, including a magazine publisher, a hedge fund, and from 2009 until its closing, Toys”R” Us. FAO Schwarz’s closure coincided with pressures its previous parent company was facing at the time, which pegged the closure on rising rents. But FAO faced challenges prior to that and claimed for bankruptcy twice before being acquired by Zany Brainy owner The Right Start in 2002. But despite industry pressures, Conn said what FAO had going for it was a strong consumer attachment to the brand — an asset ThreeSixty could use to scale the brand in a new way.

“People have a strong emotional connection to the brand; it has awareness outside of the U.S. — levels which surprised us. That’s the way we evaluated it,” he said.

To test a revival, Conn said ThreeSixty carried out a soft-launch of some of the FAO private-label products through other retailers in December 2017, including Neiman Marcus, Macy’s and the Hudson’s Bay Company in Canada. It also launched an online store around the same time, along with a limited product assortment on Amazon. The company reopened its first large-format store in Rockefeller Center in November of 2018. To drive traffic, it focused on interactive experiences in stores, supported by participatory events delivered by staff who perform character roles. For example, the company has doll-adoption ceremonies, with staff members who pose as nurses and doctors; customers are even given birth certificates, adding an element of theater to the experience. Children can use also use touch screens to put together remote-controlled cars. Apple’s tech tools are powering these experiences, and payments can be made through iPhones and iPads. FAO isn’t using virtual reality now, but Conn said other technology-driven experiential features will roll out soon.

FAO is expanding beyond its flagship and is rolling out smaller stores in airports, and through branded sections in larger retailers like Selfridges, which it plans to open in November. The company also plans to expand to China later this year. FAO’s stores, beyond its Rockefeller flagship, are run by partner companies.

According to Susan Cantor, CEO of branding agency Red Peak, FAO’s online-offline relaunch is the result of a detailed study of the failures of other toy retailers, particularly Toys “R” Us.

“One of the things that doomed Toys “R” Us was the package on the shelf that you couldn’t touch or feel or interact with — they have studied the failings of the toy industry and looked at the vulnerabilities of the Amazon experience,” she said. In addition, by co-locating alongside newer, upstart brands in airports, FAO is putting a fresh image on a dead brand.

While FAO’s products are still sold in other stores, Conn said the company will be expanding its FAO-exclusive product assortment available only in its stores and on its online marketplace. Expansion of its private-label brands is a key differentiator that could drive traffic back to its online and physical stores. The key risk the retailer faces is maintaining the investment necessary to scale, said digital marketing consultant Judge Graham.

“Their biggest risks to manage are the commitment to the investment — putting money into innovation and unique SKUs and rebuilding this brand as a destination store,” said Graham. “They’re becoming a toy tech business, and they have to stay steadfast with that.”

Photo credit: Richard Cadan

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