Using Sound as a Device to Alleviate Stress and Anxiety

What if your brand owned the sound of safety? Stay with me here. We exist in a unique time on this planet. We’ve never actually been safer while feeling less safe. Consumers are in a constant state of anxiety. Who can access my private information? Is my neighborhood safe? Are my children safe at school?…

Accenture Interactive Acquires Independent Creative Agency Droga5

Droga5, the creative agency known for its acclaimed campaigns for brands like Chase, Google, HBO, IHOP, The New York Times and Under Armour, has agreed to be acquired in full by Accenture Interactive, the marketing arm of international consulting firm Accenture. Terms of the deal were not disclosed in today’s announcement, but Accenture Interactive described…

Havas New York’s CCO Tries Another Quirky Approach to Hire Interns

Last year, Havas New York chief creative officer Harry Bernstein (also known as Harry Bee) took a very public gamble by offering up his mobile phone number to aspiring interns. After splattering his digits in ads around New York and on 14 college campuses, the founder of The 88 (which was acquired by Havas in…

Fortnite, Kingdom Hearts Were Among the Most-Talked-About Games on Twitter in Q1

Twitter revealed the most-talked-about video games and esports organizations on its platform in the first quarter of 2019. In a series of tweets, Rishi Chadha, head of gaming content partnerships at Twitter, said this data is the first entry in a new monthly insights feature, which will examine how video games are discussed on the…

The Guardian aims for 2m paying members in three years

Guardian News and Media has a new strategic goal: to double its paying memberships to 2 million within the next three years.

The publisher’s CEO David Pemsel and editor-in-chief Katherine Viner outlined the new target in an email sent to staff on April 3. In the email Pemsel and Viner recounted the severe financial challenges the Guardian faced three years ago, when its operating losses were forecast to exceed £80 million ($105 million) in a single year. At the time, its print revenue was in decline and its international businesses were growing but remained unprofitable. That, plus the increasingly rapid flow of ad revenue to the tech platforms Google and Facebook, rather than to publishers, was an additional pressure, they added.

The Guardian set out a three-year cost-cutting strategy, and appealed for public one-off donations and memberships. That’s shown signs of success. The Guardian is on track to break even at its three-year mark, and it will release its financials at the end of this month. While the email didn’t confirm whether Guardian News and Media parent had hit its target of producing operating profit by the 2018-2019 financial year, Pemsel and Viner confirmed its is on track to break even, after years of heavy losses and staff cuts in the U.K. and U.S.

Today the Guardian has 650,000 regular paying members, 360,000 of which are recurring paying members and 290,000 pay for print papers and digital memberships, according to the publisher. In the last year it received more than 364,000 single contributions from around 318,000 contributors. In the last three years the title received 1 million paid donations — a mix of one-offs, recurring paying members, and print sales.

The memo highlighted the focus on building a core daily readership rather than chasing global reach at all costs, with 40% more regular readers than three years ago and a growing number of print subscribers. It also said Guardian US and Guardian Australia had each doubled their revenues since 2016, and were both financially sustainable in their own right.

Guardian News and Media Group, which includes the Observer newspaper, is owned by The Scotts Trust — established in 1936 to secure the newspaper’s financial and editorial independence. “In cash terms, which is the best measure of our financial sustainability, we expect our cash outflow in 2018-19 to be within the £25-30 million [$33-$40 million] range which the Scott Trust can currently fund each year,” said Viner and Pemsel in the email.

The speed at which the Guardian reached 1 million contributors outpaced what many in the market thought was possible at the time.

“There is no reason why they cannot reach 2 million and beyond,” said Douglas McCabe, CEO of media analysis firm Enders Analysis.

The Guardian isn’t the only premium national news brand to turn to reader revenue to pull itself bank from financial crisis. In 2015 the New York Times pledged it would focus on doubling its digital revenue by 2020, in order to offset the decline in print revenue. Last month the Times generated more than $709 million in digital revenue last year, edging close to its stated goal of $800 million in digital sales by the end of 2020. The results have prompted the publisher to set another lofty target: to grow its reader revenue business to more than 10 million subscriptions by 2025.

Although the Guardian hasn’t gone down the paywall route, the industry-wide pivot to paid subscriptions has opened up concerns that there is a ceiling to how many people in the world are willing to pay for content. The Guardian’s more donation-led approach faces the same challenge. Given how young its membership strategy is, it may face churn and therefore must shift its focus from reach and audience acquisition to retention, added McCabe.

“It needs to set tough goals, like achieving 97% retention of subscribers who stick around for 3-plus years,” he said. “Journalists, not just commercial teams, should be incentivized to achieve these numbers. Second, the level of sophistication with which the company tracks, analyses and develops.

To arrive at its 2 million paying members target, the publisher will need to increase the level of sophistication around how it tracks, analyzes and develops its audience funnel, added McCabe.

“There is no need to track any user that happens to land on the site; only subscribers. The funnel needs to be able to distinguish between content that subscribers look at, and content that lends weight to their subscription commitment. Proxies like ‘time spent’ do not provide that,” he added.

While paid memberships is a core part of its strategy, remaining open-access and growing its advertising business remains a vital revenue stream for the publisher. Agencies have welcomed the news that the publisher has got itself back into the black.

“Their break even target at the end of the previous fiscal year has been the first time that an outward facing pressure has been visible,” said Craig Smith, trading director of print and digital display at Mindshare, “and the fact they trusted their audience to help deliver that number, alongside traditional revenue steams, speaks volumes for the connection they have with them.”

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Apple’s Ad About a Scrappy Group of Coworkers Is Honestly Better Than Most Sitcoms

Apple’s marketing often feels a bit too cool for school, conveying an effortless sense of style and on-trend fashion. But the brand also has long had a soft spot for outcasts and underdogs, dating back to 1997’s “Here’s to the Crazy Ones” ad and defining the heart of more recent spots like 2013’s “Misunderstood.” In…

Eric Roza To Depart As Chief Of Oracle Data Cloud

Ryan Joe contributed. Eric Roza is leaving Oracle Data Cloud (ODC) after more than four years as its SVP and general manager. Roza told employees in a note on Monday that he plans to retire this summer, in order to spend more time with his family. (Full note reprinted below.) “New and unexpected roles asContinue reading »

The post Eric Roza To Depart As Chief Of Oracle Data Cloud appeared first on AdExchanger.

‘Boot Edge Edge, Boot Edge Edge’

When does a hard-to-pronounce brand name change from a liability to an asset? When pundits and the news media give an assist by providing mnemonic devices on the proper way to say it. That’s what’s
happened to Pete Buttigieg in the weeks since he emerged as a serious Democratic presidential contender.

LinkedIn Just Gave Users the Ability to Upload Documents and Presentations

LinkedIn users worldwide can now upload documents and presentations to their feeds, groups or pages on the professional network, with plans to extend the feature to its mobile applications soon. Product manager Margaret Taormina described how the new option works in a blog post. LinkedIn users on desktop can tap the document icon in the…