Breaking down Alibaba’s global ambitions

Alibaba, the Chinese e-commerce giant, is extending its many tentacles into international markets as part of its aspirations to become a global business.

Earlier this week, the Financial Times reported that AliExpress, an e-commerce arm of Alibaba that sells products from Chinese retailers to customers in 150 countries, was setting up operations to allow retailers from those countries to sell their goods to customers in China and internationally.

  • The move is part of a “broader globalization strategy,” according to Trudy Dai, the president of Alibaba’s wholesale marketplaces division.
  • Alibaba wants to do what Amazon (which in April pulled business operations out of China) has so far been unable to: Create an international e-commerce marketplace. It’s all unfolding under Alibaba’s New Retail strategy, which Alibaba president Mike Evans was brought on in 2015 to expand out into a global initiative.
  • Alibaba’s approach to building an international business is two-fold: In developed e-commerce markets, the company is working to get international brands to sell to customers in China through Tmall, acting as a “gateway to China,” according to the company. In developing markets, the approach is to build or buy e-commerce marketplaces in developing markets and acquire those customers.

According to Evans, Alibaba’s vision is that New Retail is the global future of retail. New Retail, as Alibaba phrases it, is the company’s strategy to “digitize the entire retail value chain,” meaning small- and medium-sized brands, physical stores and local and international sellers all have access to the same data and digital infrastructure that Alibaba uses to operate its e-commerce marketplace, Tmall. That’s served as the backbone of its international expansion.

“A big part of our globalization strategy is connecting brands and small businesses from all over the world directly to the Chinese consumer,” Evans said during the NRF Show in January. “China is a massive consumer market and an attractive growth opportunity for many businesses today and in the future. Many brands globally have not properly understood the China opportunity.”

His job is to solidify Alibaba as the leading e-commerce company globally. In understanding Alibaba’s global ambitions, there are a lot of players, moving parts and priorities to unpack.

The first piece of Alibaba’s strategy — “the gateway to China” — is to get established international brands in developed markets to work with the marketplace by making it easier for them to appeal to and target Chinese customers. This has played out in a series of initiatives. The Tmall Luxury Pavilion, launched in 2017, offers a more high-touch customer experience only open to people Alibaba knows would be shopping for luxury brands. Since, 80 brands including Burberry, Valentino, Versace and Stella McCartney have joined. Outside of the luxury category, Alibaba has positioned itself as a partner for mass brands to create new products better targeted to Chinese customers. The Tmall Innovation Center works with international brands like Unilever and Mars to offer research development and data resources to drive China-specific product development.

And for less established brands in developed markets, there’s Taobao Global. Taobao Global works with small- and medium-sized brands that don’t have the resources to set up their own teams and operations in China to help them get access to Alibaba customers by setting them up with merchants who will sell their products on Taobao, Alibaba’s other consumer marketplace.

To target developing e-commerce markets, Alibaba is taking a “local to local” strategy: It’s either acquiring or investing companies that have existing tethers to local customers to introduce them to China’s local customers, or setting up bridges in-house that make it easier for customers in other countries to shop Alibaba, and businesses in other countries to sell there.

AliExpress is a growing part of this strategy: It’s a small- to medium-sized business platform that sells products from retailers in China to customers internationally, now being expanded to invite similar sized sellers from international regions to sell to Chinese customers. Alibaba.com, meanwhile, is the company’s international B2B business, linking businesses to a network of suppliers while enabling otherwise expensive logistics like cross-border shipping. Most recently, Alibaba.com partnered with Office Depot in March to join forces on inventory and domestic shipping.

Alibaba last year bought Lazada, an online marketplace selling to customers in Southeast Asia, investing a total of $4 billion into the company and posting an Alibaba executive into the CEO position last year. It also has a controlling stake in Paytm, an Indian e-commerce payments company, and a minority stake in Turkey’s leading e-commerce platform, Trendyol.

So, as the strategy boils down to two key initiatives — win over the big players and buy up the smaller ones — more brands, sellers and customers will be pulled into Alibaba’s orbit, either directly or indirectly. As Amazon struggles to get footing in regions like China and India, Alibaba is building a two-way network of business in and out of China.

“Whereas Amazon builds moats, Alibaba builds bridges,” Evans said.

Harry’s and the purity of DTC
Harry’s has made DTC history after being acquired by Schick parent Edgewell for $1.4 billion, more than the $1 billion its predecessor Dollar Shave Club sold to Unilever back in 2016. Unlike other DTC acquisitions, Edgewell is looking to the brands’ founders, Alex Katz-Mayfield and Jeff Raider, to do more than simply run their brands under the Edgewell umbrella. Instead, the two will be overseeing U.S. operations of a portfolio of brands to connect them better to customers as well as rethink wholesale relationships.

It’s a momentous exit, but not one that says much about the future of direct-to-consumer brands and whether or not any of them can survive independently, especially considering the money they’ve raised. Harry’s, while its valuation post-purchase was unknown, raised $461 million. Loose Threads puts the company’s potential valuation between $1-1.5 billion, which would make the $1.4 billion acquisition a down round for the brand. To that end, Harry’s founders have been building a DTC brand outside of the lines of the typical definition of a DTC brand, which is a brand selling to customers only through direct online or in-store channels. Raider told Digiday in March that the company eventually decided it didn’t matter if it was DTC-majority or DTC-first.

“For a while with Harry’s, we thought of ourselves as DTC-only. Then it was DTC-majority. Then it was DTC-first, that was going to be the focus. But that ended up feeling like an unnecessary constraint,” Raider said. “What we evolved to is being a customer-first brand. If at some point we sell more through retail than we do online, that’s okay. It’s about meeting customer expectations.”

Raider went on to say that Warby Parker, which he also co-founded, has only managed to stick to its own in-store and online retail channels because there’s no Target-equivalent for the glasses category. For a brand like Harry’s to reach scale, it has to be where the people are, regardless of what trendy Instagram brands try to tell you. And when Harry’s launched Flamingo, a women’s shaving brand, it launched in Walmart stores.

“Naturally, direct retail is going to grow as people start shopping there more over time. But for now, people still really enjoy shopping in stores,” Raider said.

And we’ll keep waiting for the first heavily-funded DTC brand to IPO.

CBD Boom
A new report from BDS Analytics has captured the sudden growth of the CBD market. As literally everyone looks to cash in, from CVS to Amazon to Coca-Cola, here are the numbers to know.

  • Sales of CBD are expected to exceed $20 billion by 2024 in the U.S., an annual growth rate of 49%.
  • That’s an increase from $1.9 billion in sales today.
  • Customer penetration is still only at about 15%.
  • Together, THC and CBD products will make up a total market of $45 million by 2024.
  • CBD sales at dispensaries are outpacing the growth of overall sales at dispensaries.

What we’ve covered

The Harry’s exitEdgewell has bought a DTC brand with a major wholesale operation.

Accelerating dataTarget’s accelerators help the company build out its own data strategies.

The post Breaking down Alibaba’s global ambitions appeared first on Digiday.

How Nike is boosting its direct-to-consumer business with tech acquisitions

One year after acquiring two technology startups, Nike is using them to increase memberships and improve its personalization efforts.

Yesterday, Nike unveiled Nike Fit, a new scanning technology that uses computer vision and machine learning to fit customers for shoes. The feature will be added to Nike’s mobile app in July, and used in select retail stores in the U.S. In the Nike app, customers will be prompted to use a smartphone camera to take a scan of their foot. The app then spits out a recommended size range for that customer — information that is stored with that customer’s Nike+ profile, and is used to suggest sizes when a customer shops for shoes online or in-store.

The app was built using technology from Invertex, a 3D-scanning company that Nike acquired last March that specializes in using automation technology to build consumer and medical devices.

The Invertex team works within Nike Direct’s digital team, the team at Nike that works on digital efforts to grow its direct-to-consumer business, including app features for Nike+ loyalty members, which have hit 150 million. Zodiac, a data analytics company Nike acquired last April, also works within Nike Direct’s digital team.

The integration of the acquisitions into Nike Direct speak to the brand’s priorities to build its direct-to-consumer sales and rely less on wholesale revenue, in order to have more control over brand positioning, pricing and customer data. Nike has projected that its DTC business will reach $16 billion in sales by the end of fiscal year 2020. Nike Direct did $10.4 billion in sales during fiscal year 2018. 

Nike’s belief is that developing unique tech features will make it easier for customers to shop in Nike stores and on Nike’s site, and also provide Nike with data to better personalize the customer experience in the future. With in-store and online customer experiences, like Nike Fit, tied directly to Nike+ memberships, the goal is to use these features to increase memberships. So it prioritizes buying startups that can assist with that.

“I will say that at least from organic data we’ve seen, in the early testing from this, [Nike Fit] may be one of our strongest values yet that we’ve been able to provide for our members,” Michael Martin, global head of digital products for Nike, said at a demo for Nike Fit last month. Martin added that when Nike was testing Nike Fit in three stores earlier this year, “even people who hadn’t heard about membership were asking us about [how to store sizing information].”

New technologies only boost the profile of Nike+. Martin said in a follow-up email that Nike looks for “teams and technologies,” that will improve Nike’s ability to solve specific problems when looking at startups to acquire. He also said that Invertex in particular “had capabilities in areas like computer vision, machine learning and artificial intelligence that were completely complementary to what we were already testing and iterating.”

Before Nike acquired Invertex and Zodiac last year, its last acquisition was Virgin Mega in 2016. A tech startup that sat within Richard Branson’s Virgin Group, Virgin Mega developed mobile shopping features, and was acquired by Nike at the same time that it redesigned its app.

Aside from Nike, the most acquisition-happy athleticwear company in recent memory is Under Armour, which spent $710 million on a suite of connected fitness apps from 2013 to 2015, which included MapMyFitness, MyFitnessPal and Endomodo. All of these acquisitions served to help Under Armour gain access to new customers — MapMyFtiness had about 20 million registered users when it was acquired in 2013, while MyFitness Pal and Endomodo had 80 million and 20 million, respectively, when they were bought in 2015.

“[With its acquisitions] Nike did not acquire customers — it acquired capability to enhance the experience for the Nike customer,” said Jason Goldberg, chief commerce strategy officer for Publicis.

The computer vision and AI capabilities that Invertex has can be leveraged for Nike more than just Nike Fit. But, Martin declined to say how else they’ll be put to use, other than that it wants to focus on “solving very specific problems.”

“We made the strategic choice to focus on solving one problem first and moving onto the rest, versus potentially diluting our focus and not solving all the problems to the same degree,” Martin said of the development of Nike Fit. 

Nike Fit will also help Nike contend with some of the logistical headaches that come with selling DTC: Martin said that the hope is that Nike Fit will help the company cut down on returns, as it more accurately measures a customer’s foot size than the traditional Brannock device. It will also give Nike more data about what sizes, shoes and styles are most popular to help better manage inventory.

As for Zodiac, Nike hasn’t been as forthcoming about what it’s been using the startup to do since acquiring it last year, but its core offering can be easily connected to a membership program: Zodiac develops predictive models that purported to better forecast the average lifetime value of a customer.

“What Zodiac was good at was helping companies understand the true value of each customer to the brand, and then you can make much smarter decisions about how much to invest in each customer,” Goldberg said.

Ultimately, the value of both Invertex and Zodiac depends upon whether or not they will help Nike achieve what it says is the ultimate goal of its Nike Direct initiative: to build one-to-one relationships with customers. With Nike Fit, Martin said that the ultimate goal is to use the app to eliminate sizing for footwear.

“If you buy a pair of shoes online, [our goal is that] rather than have a number and a gender, it will just have your name,” Martin said.

The post How Nike is boosting its direct-to-consumer business with tech acquisitions appeared first on Digiday.

Dazed branches from fashion and youth culture into science and tech

Dazed Media, the fashion, music and art magazine, is expanding its science and tech coverage, starting with a series on climate change, launching next week. This follows in a similar vein to Dazed’s beauty vertical, launched last September, which aims to build a community around these topics rather than broadcasting content.

The new vertical, “A Future World,” will launch in September, but from May 13, the title is publishing 30 pieces of video and text content from activists, artists and politicians.

Content includes a video interview between London-musician Gaika and Labour party leader Jeremy Corbyn discussing climate change, a documentary featuring teenage climate activist and Nobel Peace Prize nominee Greta Thunberg and a sci-fi essay from synth-pop musician and artist Grimes. Content will be published on the Dazed site and main social accounts. How the Dazed audience responds will inform the content for the launch in September, although the publisher was unable to share much detail on the plans.

The Extinction Rebellion protests across the world last month propelled climate change to the top of news feeds, and while there are myriad examples of comprehensive articles on the topic from news publishers, Dazed felt there was a gap in content at the intersection of pop-culture and climate change for younger people spearheading the movement.

“Climate change is the biggest issue facing humanity. and it’s being driven by teenagers around the world,” said Thomas Gorton, digital editor at Dazed. “There’s this incredible energy for the movement. It wasn’t an option; we had to do it.”

Injecting the academic side into the series next week is the European Climate Foundation, which has been working with the publisher on the project for the last six months. The series next week will also feature two branded content videos from Nike, an existing advertising partner.

While a deviation from its core topics of art, music and fashion, Dazed has covered elements of science and technology in the past which have gone down well with readers: According to Gorton, in 2014 Dazed’s most-read story was about attacks in San Francisco for Google Glass wearers. Last September, it ran a weeklong series called “The age of AI” covering pieces how the tech impacts art and culture, including articles written by artificial intelligence influencer, Lil Miquela. In September 2017, the site added a tech and science vertical during its redesign.

According to Gorton, beyond broadcasting content, the aim with “A Future World” is to bring together communities in science, art and technology, more akin to a grassroots think tank. “It will be more like editorial events rather than feeling like a platform news feed,” he said. “This is the beginning, we want to explore how we can change, how corporations can behave better and how we can share the wealth.”

Last September, Dazed created Dazed Beauty on Instagram, which has 117,000 followers, with a similar goal showcasing talent found on social, involving them in campaigns and garnering opinions from the community to give more well-rounded articles. The vertical explores the idea of beauty in today’s world. “The ambition is anyone can be a part of these communities,” said Ahmad Swaid, head of social at Dazed Media. “Whatever we broadcast out in media, we make sure there’s a social element to it.”

More publishers are viewing audiences as communities, a two-way relationship encourages loyalty, people returning more often and for longer. The Financial Times and Der Correspondent use their audience to inform their journalism.

“The ambition is to evolve [Dazed Beauty] more and more,” added Swaid. “We’re trying to find as many opportunities to have that dialogue, via DMs, articles, showcases and takeovers. That’s the foundation of Dazed Media.”

The post Dazed branches from fashion and youth culture into science and tech appeared first on Digiday.

Sky News, Joe Media and The Guardian win at the Digiday Media Awards Europe

Sky News, Joe Media and The Guardian took home top honors at this year’s Digiday Media Awards Europe Gala, which was attended by Hearst, BuzzFeed, Viacom International Media Networks and others.

Sky News and parent company Sky, which is owned by Comcast, took home three of the evening’s’ most prestigious awards: Best Use of Technology for Who’s Who Live, which identified the May 2018 royal wedding guests in real-time, Best Use of Video for Hotspots on Snapchat, which demonstrates the rigors of news reporting and was turned into a documentary optimized for the app and Editorial Team of the Year. Throughout 2018, Sky News’ editorial staffers reported in Zimbabwe, revealed abuses in Myanmar and deep dove into Brexit coverage.

David Pemsel and Katharine Viner of the Guardian received the first-ever Digiday Award, which acknowledges leading individuals in European media who have been instrumental in creating positive change for the industry. When asked about the standing of The Guardian in a tumultuous news climate, Viner said “Guardian journalism is thriving despite the turmoil around us. It’s inspiring to have forged this path towards securing a sustainable future for The Guardian through powerful journalism and a deep relationship with our readers.”

Also taking a top spot is The Guardian Labs, which won Branded Content Team of the Year as a cap on a prodigious year that included a documentary for Nikon, jumpstarting over a dozen new businesses on eBay and benchmarked average results across three of their largest categories — charity, travel and food and drink.

Four-year-old Digital publisher JOE, known for their wit and outspoken political musings, walks away from One Marylebone with the award for Publisher of the Year, following a year of continued partnership with multinational brands like Guinness, Adidas, Cadbury and McDonald’s. With verticals including Football JOE, Politics JOE, Rugby JOE and a handful of others, the Maximum Media-owned company has been able to invest in journalism while remaining focused on entertaining, shareable and enlightening content.

See the full list of this year’s winners below.

Best Branded Content Series
Jungle Creations & Twisted for Baileys, The Story Lab & Carat – Nobody puts Baileys in the corner

Jungle Creations and Twisted teamed up for “Nobody puts Baileys in the corner,” a content series that set out to prove that Bailey’s is more than just a holiday treat. One original recipe video became the most viewed branded video on Facebook in the U.K. the week it rolled out.

Best Custom Advertising
UBS, T Brand Studio & Spark Foundry – Are You Investing In What Matters To You?

Swiss multinational investment bank UBS teamed up with T Brand Studio and Spark Foundry for a 360-degree custom content campaign that tackled the issue of sustainable investing. Using New York Times audience consumption data, the group found that the best way to engage readers was through a quiz, so they developed “Are You Investing In What Matters To You?” which helps readers determine their core investing values.

Best Live Event
Spirit Media – Whole presents: Music 4 Mental Health

Mental health campaign “Whole” aims to encourage young people to speak out and seek help when needed. The initiative’s first-ever live fundraising event is taking home this year’s award for Best Live Event after selling out the Roundhouse in four hours and unleashing the power of celebrity to help change the conversation around mental health.

Best New Vertical or Brand
PinkNews – Snapchat Discover

PinkNews publishes diverse and inclusive content daily via their Snapchat Discover Channel, which has become a crucial resource for LGBT+ audiences and their allies. The publisher has assembled a team to manage their presence on Snapchat, a platform that has inspired their larger PinkNews team to push boundaries. 

Best Original Content Series
RT – #Romanovs100

Global round-the-clock news network RT took home Best Original Content Series at this year’s Digiday Media Awards Europe for their #Romanovs100 campaign which brought to life the archives of the Russian family. This award comes after multiple nominations across the Digiday Awards, Digiday Video Awards and Digiday Content Marketing Awards.

Best Use of Audience Data
Svenska Dagbladet – The Oracle (Oraklet)

News breaking media company Svenska Dagbladet was founded in 1884 and quickly became Sweden’s most reputable culture and business paper. Their tool, Oraklet, analyzes published articles and identifies when certain reader interest levels are reached, then indicates whether the article is suitable for ads to run which would recruit new subscriptions.

Best Use of Live
Ruptly – Ruptly Live

Rupty Live allows users with no formal coding training to stream content that includes custom advertisements directly to media sites. The 9-year-old company set out to create a platform that allows for live events, 360-degree video and drone footage to be published directly onto social media networks like YouTube, Facebook, Twitter and Periscope and succeeded.

Best Use of Social
RT – #Romanovs100

Best Use of Technology
Sky – Royal Wedding: Who’s Who Live

Best Use of Video
Sky News

Publisher Platform of the Year
Permutive

Giving publishers the ability to connect users with related data is paramount. Publishers looking to dive deeper into their audience data turn to Permutive for the ability to connect user data in one place that does not rely on third-party cookies, which in turn increases the quality and scale of data collected.

Adtech Platform of the Year
The Telegraph – Clarity

To combat the lack of transparency in branded content, The Telegraph created Clarity: a live reporting tool which details audience reach and sources, scroll depth, uniques and more to clients in order to increase trust in numbers they’re reporting.

Video Platform of the Year
Spirable – Spirable for Vodafone

Ireland’s largest mobile network Vodafone couldn’t compete against other known device brands, so they teamed up with video optimization platform Spirable to automate the generation of personalized, contextually relevant marketing videos that would include dynamic elements like location, time of day and weather to position Vodafone as a reliable leader within the market.

Partnership of the Year
The Telegraph & Brand USA – Visit USA

Brand USA’s mission is to increase international visitation to the U.S. As part of a multi-year partnership with The Telegraph, the Washington D.C. based destination marketing company answered the question “Who’s going to visit the USA now?” with an immersive deep dive into the history of music in America as a pull for affluent music fans worldwide.

Digital Product of the Year
ITV Digital Studios – This Morning App

The largest commercial TV broadcaster, producer and distributor in the U.K., ITV, created an app that since October 2018 has allowed one-third of their daily audience to keep up with the show’s gossip, style tips, health advice and more. The application is a piece of a larger initiative related to the future proofing of their business.

Marketing Campaign of the Year
Merkle, Periscopix & Twitter – Making Paid Search Real-Time With the Power of Tweets

Merkle, Periscopix and Twitter teamed up to conquer paid search in real-time through a bespoke tool named Magpie. Each hour on the hour, the crawler pulls the U.K.’s top 50 trends on Twitter, identifies the top tweets, then categorizes them by trends and overall sentiment. The objective? Using paid search to reach users at the moment they’re looking at what’s trending.

Branded Content Team of the Year
The Guardian Labs

Editorial Team of the Year
Sky News

Video Team of the Year
Jungle Creations

With 39 billion video views and the record for the number of views generated by a single media property in their pockets, UK-based Jungle Creations has been named Video Team of the Year. From challenging the notion that Diageo’s Baileys Irish Cream is for holidays to selling personalized pet socks, the growing team has been able to connect to audiences in informative and entertaining ways.

Publisher of the Year
JOE

Digiday Award for Social Good
Lime Pictures – Hollyoaks #DontFilterFeelings

Channel 4’s long-standing daily drama Hollyoaks features issue-led storylines focusing on issues like depression and self-harm among others. To support the storylines, the #DontFilterFeelings campaign, which featured the shows cast and crew revealing their own personal stories as a way to de-stigmatize mental health, was created.

The Digiday Award
David Pemsel & Katharine Viner of The Guardian

The post Sky News, Joe Media and The Guardian win at the Digiday Media Awards Europe appeared first on Digiday.

Anheuser-Busch Surveys an Online Panel of 6,000 Fans Each Day to Keep Its Marketing Relevant

As Anheuser-Busch InBev transforms its marketing to become hyper-relevant to a variety of audiences, it’s moving away from standard focus groups–and talking with a lot more consumers a lot more frequently. Marcel Marcondes, the company’s U.S. CMO, says the brewing giant now has an online panel of more than 6,000 consumers who talk with the…

Johnson & Johnson Cuts Marketing Budget, Affecting Partners Omnicom and WPP

Just over a year ago, health giant Johnson & Johnson ended a closed, months-long marketing review. The Wall Street Journal reported that its purpose was to achieve savings of approximately 30% by creating new dedicated divisions within its agency partner groups, Omnicom and WPP, each of which would be designed to “quickly pull in agency…

Two CEOs Play Games Together | DailyVee 552

Two CEOs Play Games Together | DailyVee 552
In this episode, Gary goes down to Austin, TX and spends the day with Aubrey Marcus (founder of Onnit).

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