‘It hasn’t evolved’: Industry arbiter Ebiquity is at a crossroads

The abrupt exit of Ebiquity CEO Michael Karg earlier this week belies missed opportunities for the media measurement firm at a time when media measurement is in high demand.

The rationale for Karg’s departure was straightforward. After nearly four years at the helm of Ebiquity, he hadn’t grown the business as quickly as its shareholders wanted. When he arrived in January 2016, the company traded at 142p ($1.40) a share, when his exit was announced on Tuesday, its share price was 42p (49 cents). It’s a sharp decline in a short space of time, stoking fears among Ebiquity’s shareholders that the ad industry was leaving the measurement business behind at a time when it should be leading it.

“Ebiquity suffered a massive loss of shareholder value because it hadn’t evolved with the marketplace, particularly in digital,” said an Ebiquity shareholder on condition of anonymity.

The rush of advertisers questioning how their ads are bought was meant to be a lucrative trend for Ebiquity. Work came thick and fast for the audit arm of Ebiquity FirmDecisions, which checks whether agencies are delivering on their contracts for advertisers. Revenue was up 15% year over year in the first half of 2019. The largest part of the business, however, struggled to grow as fast. Revenue from Ebiquity’s media performance practice, which helps advertisers evaluate how their agencies buy ads, fell by 3% over the same period. The decline wasn’t what Ebiquity’s owners had expected, said the shareholder. They wanted to see a business that could use its fortuitous access to advertisers that are mandated to use an auditor to open up lucrative opportunities beyond media price benchmarking. Instead, the shareholders saw Ebiquity caught in the crossfire of the ad industry’s transparency crusade.

“Seventy-five percent of the revenue for Ebiquity is still coming mainly from media price benchmarking, which was developed for television, but the methodology for it hasn’t really changed with the move to digital,” said a former Ebiquity exec with knowledge of the company’s finances.

While media auditing delivered the cash for Ebiquity, it was under-resourced and lacked innovation. Profit made from media auditing was being used to offset the money the Advertising Intelligence business was hemorrhaging out until it was sold earlier this year, said the former Ebiquity exec.

“We were being asked to hit targets in the media auditing part of the business, but when we did, our bonuses were being withheld,” said the exec. “There wasn’t enough money to pay for the bonuses because the money that should’ve gone to us was being used to help balance the books.”

Karg wanted the business to move beyond auditing and into consulting to senior marketers, but there was little investment in people and systems to achieve this goal, and no clear strategy to effect the pivot. When Ebiquity attempted to launch a global tool that offered advertisers a like-for-like view of both cost and quality of their digital ads, it struggled because directors in other markets preferred their own, said the former Ebiquity exec. In many ways, the media auditing part of the business was a victim of its own success in the pre-digital age.

“Three years ago, there was no mention of digital media ever in any RFP for auditing, whereas now it’s the highest priority,” said one exec who works closely with Ebiquity on condition of anonymity. “If you’re a business that doesn’t have a credible answer to those briefs, then it’s difficult to grow quickly in the media auditing space.”

When a senior marketer at one global advertiser met with Ebiquity execs last year, they concluded the media measurement firm couldn’t help them audit their online media investments properly. The execs talked at length about how they could use the log-file data from agencies working with their advertiser clients to assess everything that happened to a programmatic bid up until the ad exchange. But as with all things programmatic, the devil is in the details.

“It became clear that what Ebiquity said it could do was different from what it could actually do,” said the senior marketer. “Ebiquity would have focused on tracking cost-per-thousand benchmarks for impressions as well as monitoring clusters of cost-per-acquisitions and cost-per-clicks. That’s fine for many clients, but those benchmarks don’t work in an auction that’s changing all the time. We picked a smaller, specialist company in the end.”

The concerns weren’t lost on Karg. Had his plan to sell the Advertising Intelligence business to Nielsen happened in the months after it was announced in February 2018, then he would have been able to reinvest the £26 million ($33.4 million) from the sale sooner, said an exec who worked with Karg. Instead, the deal was concluded nearly a year after it was announced.

“That protracted sale cost Michael a year because the sole purpose of that deal was to have funds to invest in acquiring business especially in digital,” said the exec. “Timing is always an issue with these sorts of deals, but that acquisition contributed to his downfall as there were no subsequent funds to move the business forward through M&A when the business was struggling in 2018.”

The company shrank by a third when it sold Advertising Intelligence in January when it used the money to pay off debt. Advertising Intelligence was never replaced, so shareholders saw Ebiquity’s value shrink as a result. But acquisitions are on the horizon for Ebiquity, according to two separate sources with knowledge of its strategy.

“The type of consultancy that is in demand is becoming more focused on strategic advantage, growth and measurement,” said Scott Moorhead, CEO of media consultancy Aperto One. “Ebiquity have a huge foot print, and it needs to pivot quickly and use that advantage and stay relevant. It can if they are fast, brave and decisive enough.”

Karg is replaced by Alan Newman, Ebiquity’s chief financial and operating officer, on an interim basis. While Karg’s attempt to position the business as the CMO’s consigliere at a time when CMOs need it most has struggled to date, the building blocks to make it work are there. It has a credible marketing and analytics division that’s growing, a technology practice that is thriving, albeit from a small base, and a tighter network of offices, which were once disparate. Furthermore, the business has won new business as a result of Accenture focusing on agency services, including Unilever and Volvo.

“The essentials of Ebiquity are very strong, with a great client list, a strong network of offices and good people,” said Nick Manning, a former Ebiquity exec who now runs his own consultancy Encyclomedia.

But the business needs leadership from a strong individual who is steeped in the media industry and understands how to provide the right direction, Manning said. “Ebiquity is a measurement business when advertisers are crying out for better measurement, and it can capitalize on its strengths by finally developing new digital techniques and through judicious acquisitions,” he said.

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Cresco Labs is trying to build the ‘CPG of cannabis’

Advertising cannabis isn’t easy — without legalization across all 50 states, advertising regulations are constantly in flux — but Cresco Labs wants to market its cannabis brand, Cresco, like that of a typical CPG marketer.

The company, a multi-state cannabis operator working across 12 states, is looking to introduce people to a new brand with a major marketing push across as many channels as it can get. Without the ability to market across social platforms, as none of those platforms allow advertising from cannabis brands, Cresco Labs is using more traditional marketing methods. To get the word out, the company is using a big out-of-home push in California, placements with print media publications like Rolling Stone, Variety, Wired and GQ, among others, as well as programmatic and display.  

“The mission to normalize cannabis is in the creative message that we deploy in our marketing but a lot of that [normalization] is also in the placements of those ads,” said Cory Rothschild, svp of brand marketing for Cresco Labs. “Where we show up as a brand does change how people perceive our product. It’s difficult [to advertise] but it’s really important that we as an industry begin to approach cannabis the way a traditional CPG company would approach media.” 

By showing up in channels that a laundry detergent or an all-purpose cleaner might, Cresco Labs is aiming to change people’s perception of cannabis as well as the Cresco brand. Earlier this month, the company unveiled its largest marketing campaign yet, “Excellent Everyday Cannabis,” to boost brand awareness in California.  

“The surprising silver lining of this industry is that so many companies are spending so much money hoping to get one-second completion rates on social media sites, it’s nice to step back to an almost simpler time, when you have some of these more foundational media opportunities that have been thought of as secondary or tertiary in the media space,” said Rothschild of the marketing restrictions. “It’s a limitation but it does force us as marketers to rethink how we build a brand from scratch in a more limited ecosystem.” 

The company has allocated 50% of its marketing budget to traditional media, the majority of which goes to out-of-home, 30% to premium digital placements across legacy publications from Penske and Condé Nast, 15% to programmatic and 5% to cannabis publications Leafly and Weedmaps. Cresco Labs declined to share the size of its marketing budget. According to Kantar, the company spent $12,000 on media during the first six months of this year. 

The company’s also doing more with programmatic. “As we [look to] build the CPG of cannabis, using programmatic has tremendous advantages,” said Rothschild, of allocating 15% of the budget to programmatic. “It’s the same advantages I found when I was at Gatorade. From an effectiveness standpoint, we can reach a specific target in a much more precise way. That obviously provides a level of efficiencies, scale of audience, scale of spend, as we really build the first formal CPG company in cannabis.” 

Cresco Labs houses brands including Cresco, Remedi and edibles brand Mindy. Of course, the company isn’t the only one aiming to be the CPG of cannabis. As previously reported by Digiday, Slang Worldwide is also looking to do just that with 94 products in nearly 20 states. 

The ambition to be the CPG of cannabis is common in the market currently, according to Joshua Otten, CEO of Ronin, a cannabis and hemp brand services platform, who added that often the cannabis companies touting the CPG of cannabis approach are using one brand name across a whole host of products rather than creating differentiated brands for each product. “Any company portfolio that is one brand and one name and they slap it on 50 things, that’s not CPG,” said Otten of the numerous cannabis companies aiming to be the CPG of cannabis. 

As for the marketing approach for Cresco Labs, Otten said, “Marketing channels are important, but we’re still in such an infancy that if you don’t have a lane [a brand identity], it’ll be tough for any brand to have success.”

The post Cresco Labs is trying to build the ‘CPG of cannabis’ appeared first on Digiday.

Meredith is taking Southern Living and People to TV

Meredith has wanted to infuse its national magazines into its local TV stations’ programming for nearly 20 years. Now, the publisher’s focus on digital video is starting to make that a more viable possibility.

This month, Meredith Local Media Group’s 17 stations will begin broadcasting holiday-themed episodes of “The Southern Living Show,” a new half-hour show that will begin airing every weekend starting in April 2020. The show grew out of “Hey Y’all,” a digital series offering a mix of lifestyle, cooking and interior design content hosted by recipe developer and tester Ivy Odom. Patrick McCreery, president of the Local Media Group, said the subject matter, plus the series’ strong performance on IGTV — many episodes reach well over the 100,000 views mark — made it a strong contender for adaptation onto linear TV. The new show will be produced by the Southern Living team in collaboration with a team in its local Nashville station, WSMV.

“The Southern Living Show” is the second full-length show Meredith has moved over from digital. In January, Meredith launched its first show on its local channels tied to People magazine called “People Now Weekend,” which repackages content produced for the daily “People Now” series on its OTT channel, PeopleTV.

In fall 2020, Meredith will also broadcast daily episodes of  “People Now” on its local stations, which McCreery said will give his division time to find other partners who can air the episodes as well.

“The reality is it does open up a new revenue stream for this rich content that already has a life and a place on the digital and in the pages of the magazine. It’s opened up a new revenue stream for us on-air,” said McCreery.

Meredith started sharing content between its local and national businesses two years ago, doing things like presenting recipes from Allrecipes or entertainment updates from People on the daily lifestyle shows that air on every channel following the morning news, McCreery said. Meredith’s Local Media Group has experimented with extended series using Parents magazine on the daily lifestyle shows that included the magazine’s Top Vehicle Safety List, which McCreery said performed well for advertising since auto is a big category for local TV.

According to Sid Evans, editor-in-chief of Southern Living and Coastal Living, the magazine had already been moving toward a TV-like programming model for its video content, including releasing new episodes of its hosted shows every Friday at noon.

This strategy has been an objective for the company since he joined the company 17 years ago, says McCreery. But the higher overhead cost of creating broadcast shows and the length of contracts for syndicated programming kept Meredith from undertaking it right away.

That revenue stream is a lucrative one, with direct-sold linear TV ads generating more than programmatically sold OTT ads.

But the digital-to-linear strategy also helps with brand-building. Part of the goal for expanding Southern Living into local TV stations is getting the brand in front of new markets outside of the South, including Phoenix, Arizona; Portland, Oregon; and Hartford, Connecticut. 

Right now, “People Now Weekend,” which is a half-hour-long broadcast during a non-prime-time slot, still makes about 100,000 impressions per episode, according to McCreery, and the footprint of Meredith’s local stations as a whole is about 30 million households, so he anticipates “The Southern Living Show” to have a similar, if not larger, footprint.

While the national media division, which brought in $533 million in revenue during the first quarter this year, is a larger revenue driver for the company compared to its local media group, which brought in $193 million, advertising opportunities from the local division is an appealing area of growth for the publication’s digital video content.

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Ad tech firm AdTheorent explores sale

AdTheorent has hired investment bank Petsky Prunier to explore its strategic options, including a potential sale, sources told Digiday.

AdTheorent was founded in 2011 as a mobile ad network and currently operates as an ad-buying platform for brand advertisers that is largely run on a performance-based, managed-service operating model. Clients have included Norwegian Air, Netflix and Arby’s. It competes, in part, with the likes of Place IQ, GroundTruth, Tapad and Placed.

The company is on track to book more than $100 million in gross revenue and post a profit, sources said. Its current headcount is just over 200, which was up 18% on last year, according to LinkedIn.

“Due to AdTheorent’s continued strong growth and the market-leading position of our innovative services and capabilities, we have historically received a number of inquiries,” said AdTheorent CEO Jim Lawson in an emailed statement. “In partnership with our business advisors, we will continue to evaluate opportunities as they arise. In a fast-moving and evolving industry, we value being part of these strategic conversations, but our focus remains on our team and our clients.”

AdTheorent raised a $4 million Series A round led by Verizon Ventures in 2013. AdTheorent announced private-equity investment firm H.I.G. Growth Partners had invested in the company in 2017, but did not disclose the financial terms.

There has been a flurry of dealmaking in the ad tech space over the past couple of months.

There were 86 ad tech deals in the first three quarters of 2019, up from the 47 deals completed in the same period last year, according to advisory firm Results International, which defines a deal as any transaction where a company takes at least a 40% stake in another.

Managed-service businesses have somewhat fallen out of favor in the ad tech sector as ad buyers shifted to self-service platforms. But there are still plenty of managed-service ad tech businesses out there, many of which tend to focus on specific channels or client verticals.

“Some automatic things are still manual or at least benefit from experience and TLC [tender loving care],” said Tom Jenen, an ad-tech veteran and adviser to technology companies.

If the tech proves out to be too complicated for a self-service licensing model, or if the account team gets such good results they can charge a premium, businesses tend to shift toward the managed-service model.

“From a brand and buyer perspective, as the self-serve ecosystem gets more complex and demands more knowledge on how to fit it all together, managed service can provide a necessary bridge towards better execution,” said Ana Milicevic, principal and cofounder of management consultancy Sparrow Advisers. “Those companies that truly provide a value-add on top of the technology layer are sound businesses…but not every managed service company will fit that bill.”

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Here Are the Winners of the Fourth Annual Shorty Social Good Awards

The Fourth Annual Shorty Social Good Awards were handed out at Current at Pier 50 in New York Thursday evening. This year’s Impact Honoree recipient is Andrew Rea, who was recognized for his YouTube channel, Binging With Babish. The Shorty Awards said in an email, “The Shorty Social Good Awards primarily focuses on brands, agencies,…

NowThis, Twitch and Code and Theory win at the Digiday Fall Awards Gala

NowThis, Twitch, Code and Theory, Group SJR and Salesforce are among the winners emerging from the Digiday Fall Awards Gala, which was attended by Turner, Dow Jones, MailChimp and CBS Interactive, all of whom were finalists. The event, which recognized work across the Digiday Awards, Digiday Technology Awards and Digiday Worklife Awards, was held at The Lighthouse at Chelsea Piers in New York City.

Mobile news publisher NowThis, part of the Group Nine family of media brands, is this year’s winner for Most Innovative Publisher under the Digiday Awards. The seven-year-old digital publisher now reaches over 115 million people per month in the U.S. alone, 60% of whom are millennials. This is, in part, due to an increased number of conversations with newsmakers ranging from Alexandria Ocasio-Cortez to Robert De Niro to RuPaul. Also winning a Digiday Award is Code and Theory. Work on behalf of brands like CNN, Nasdaq, Adidas and J.P. Morgan Chase has landed the New York City-based group Creative Agency of the Year.

Amazon-owned Twitch was named Best Video Marketing and Advertising Platform under the Digiday Technology Awards. The streaming service teamed up with Reese’s to create an experience that allowed users to simulate an Easter Egg hunt across five sponsored influencer streams. Also winning a Digiday Technology Award is Salesforce Marketing Cloud, which was named Best Marketing Automation Platform.

Taking home the Digiday Worklife Award for Most Innovative Culture, which is awarded to the company whose culture best fosters unique, original and successful thinking demonstrated by tangible results, is Group SJR. The idea-obsessed marketing consultancy focuses its efforts on ideas, not hierarchy.

See the full list of winners below.

Best Use of Social
Performics and Xfinity xFi Pods

Best Use of Video, sponsored by Tubular Labs
Ancestry and SundanceTV – Railroad Ties

Best Branding Consumer Campaign
Nebraska Tourism Commission – “Nebraska. Honestly, it’s not for everyone.”

Multi-Platform Campaign of the Year
Land O’Lakes and The Martin Agency – SHE-I-O

Most Innovative Publisher
NowThis

Creative Agency of the Year
Code and Theory

Media Agency of the Year
Maffick

Brand of the Year
Verizon Media

Most Innovative Culture
Group SJR

Most Passionate Employees
Gear Patrol

Most Dedicated to Employee Growth
MightyHive

Most Dedicated to Employee Wellness
One Thousand Birds

Most Committed to Diversity and Inclusion
Yext

Most Committed to the Community/Social Good
Imre

Employer of the Year
Critical Mass

Best Video Marketing and Advertising Platform
Twitch for Twitch.tv

Best Marketing Automation Platform
Salesforce Marketing Cloud

Best Social Marketing Tools/Platform
Tiger Pistol

Best Display and Programmatic Advertising Platform
GumGum for Verity

Best Monetization Platform for Publishers
AdsWizz

Best Location-Based Platform
Uberall

Best Customer Data Platform
Velocidi

The post NowThis, Twitch and Code and Theory win at the Digiday Fall Awards Gala appeared first on Digiday.

These 8 Questions Will Reshape Your Business Strategy | Inside 4DS

These 8 Questions Will Reshape Your Business Strategy | Inside 4DS
In this 4Ds business session, Gary covers 8 burning questions that many entrepreneurs encounter when working on their business. These questions are around the topics of balancing speed & listening, marketing non-profits, building a personal brand and more. Be sure to check the comment section for a list of all the timestamps… Enjoy!

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Gary Vaynerchuk is the chairman of VaynerX, a modern-day media and communications holding company and the active CEO of VaynerMedia, a full-service advertising agency servicing Fortune 100 clients across the globe. He’s a sought out public speaker, a 5-time New York Times bestselling author, and an angel investor in companies like Facebook, Twitter, Tumblr, Venmo, and Uber.

VaynerX, also includes Gallery Media Group, which houses women’s lifestyle brand PureWow and men’s lifestyle brand ONE37pm. In addition to running VaynerMedia, Gary also serves as a partner in the athlete representation agency VaynerSports, cannabis-focused branding and marketing agency Green Street and restaurant reservations app Resy. Gary is a board/advisory member of Ad Council and Pencils of Promise, and is a longtime Well Member of Charity: Water.

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Facebook Will Match Up to $7M in Donations via Its Tools on GivingTuesday

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TikTok Confirms It’s Testing Social, Shoppable Videos

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Industry Shrugs As Google Announces Plans To Restrict Contextual Data

Beginning in February, Google will no longer include contextual content categories – content identifiers such as “sports,” “news” or “weather” – in bid requests to ad buyers, the company said Thursday. Google cited privacy concerns as the reason for the change, since contextual categories exposed in a bid request can be appended to individual profiles,Continue reading »

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