Month: May 2023

A new four-part Disney docuseries on the life of singer-songwriter Ed Sheeran makes no mention of his “Let’s Get It On” plagiarism lawsuit.

The Writers Guild plans to picket at least some of the upfront presentations in Manhattan, as well as many media company locations in New York and Los Angeles.

Ulta Beauty has established itself as America’s premier beauty destination, offering customers an unparalleled selection of over 25,000 products from 500+ brands. From cosmetics to fragrances and everything in between–including the store’s private label line–Ulta is about enabling individuals to explore possibilities and experience the power of beauty daily. To learn more about Ulta Beauty’s…

Companies are beginning to realize the importance of equity and inclusion when marketing to consumers. Designing for everyone has become a priority. On March 30, Adweek examined the impacts of inclusive marketing in The New Consumer virtual summit, featuring brand experts and executives like KR Liu, Google’s head of brand accessibility. You can watch all…

Forget ‘Bad Musk’ for a minute. Micropayments could help save journalism.

As streaming has become a well-established presence in U.S. households, Amazon has a new statistic it wants to share this NewFronts. The company said that Prime Video has become the most-subscribed-to streaming service in the U.S. and that advertisers can now reach an average monthly U.S. audience of 155 million across Amazon ad-supported streaming TV….

In August 2022, an ad for Unilever’s Persil brand was banned by the U.K.’s advertising watchdog, the ASA, for claiming the detergent was “kinder to the planet.” Part of its longstanding “Dirt Is Good” campaign, which espouses the benefits of getting muddy while encouraging young people to act on social and environmental issues, the TV…

Here’s today’s AdExchanger.com news round-up… Want it by email? Sign up here. Layser Focused Stephanie Layser, former News Corp VP of ad tech, data and identity products, joined Amazon Web

The post Why AWS Is Ad Tech’s New Three-Letter Acronym; The Waterfall Runs Dry appeared first on AdExchanger.

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Like many short-form video creators, Jorge Soto got his start on TikTok. But a year and a half after uploading his first video to TikTok in March 2020, he gave YouTube’s TikTok clone a try. 

“In two months, I gained a million subscribers, which is crazy,” Soto said in the third episode of the Digiday Podcast’s four-part series on short-form vertical video creators.

Initially, Soto would repurpose his TikTok videos — skits and what he calls “storytimes” — as YouTube Shorts. But eventually he shifted to producing first for YouTube Shorts and repurposing those videos for TikTok.

“I felt like, me as a creator, I was better off on YouTube because I had the access to long-form and the algorithm is a little — I don’t want to say it’s easier on YouTube Shorts, but it just makes sense,” said Soto. For example, his storytime format, in which he recalls a story from his life, performs reliably well on YouTube, and he’s able to see if one storytime video does well, then a similar one should perform similarly.

But as Soto implied, Shorts is not the be-all, end-all of his YouTube strategy. Shorts are a means of driving viewership for his long-form videos. Those long-form videos bring in the bulk of the money Soto makes on YouTube, whereas through the YouTube Shorts ad revenue-sharing program, Soto receives five to six cents per thousand views.

“It’s already a privilege to make money off short-form, so anything I’ll just take, frankly. But the way that I see it is short-form brings the audience,” Soto said.

Here are a few highlights from the conversation, which have been edited for length and clarity.

His start in short-form video

I started on TikTok first, and it was March 2020. So quarantine boredom. I had nothing else to do. And I downloaded TikTok just for fun. And little by little, I was just creating videos. Nothing too crazy. Then, as it snowballed into more and more views, I was like, ‘Oh, I think I could work with this.’ So I started creating videos that I always wanted to: skits, Hispanic mom skits, comedy skits, vlogs, voiceovers and storytimes, which is what I really, really took off with.

The long road to Shorts success

I was on YouTube Shorts for about six months, reposting all my TikToks with no success. The videos will get roughly 500 to 2,000 views each, which isn’t horrible but compared to the amount of views on TikTok, it was very noticeable. But I was being encouraged by my friend BrentTV. So I was like, ‘I’m going to ride this out.’ And I was 80 Shorts in until my first one took off. And when that one took off, all the other ones took off as well.

YouTube Shorts vs. TikTok

The analytics on YouTube Shorts are in real-time. So you can see what’s working in the moment, unlike TikTok where it takes two to three days for the algorithm to kick in or to show you what happened.

The short-form to long-form pipeline

I’ve had [YouTube Shorts] videos that have gained me 20,000 subscribers, 10,000 subscribers, which is unheard of. And through the same exact short-forms, I promote my long-form. And that’s where you make the real money, through long-form. For example, let’s say this Short got 100,000 views and made $10. But it did attract 50,000 people to watch the long-form one, and that was roughly $300, somewhere around there. So that’s where the real money was made.