‘Start making more from the inventory we can’t sell’: DAZN is quietly ramping up its programmatic ads business

DAZN, the sports streaming giant, has hit a major milestone that’s pretty common in the media world: turning programmatic ad dollars into serious cash. 

It’s been an 18-month journey, and now, more than a third (35%) of its ad revenue in its most mature market (Germany) is rolling in from programmatic ad advertising  But here’s the catch — buyers can only access this ad inventory through programmatic guaranteed deals or exclusive one-to-one private marketplace arrangements. 

Picture it as a more automated way to sell ads in between live shows compared to the old-school insertion orders, but with a whole lot more data (from their customers) thrown into the mix.

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Startup debuts new AI models trained on Getty Images and other content as copyright concerns loom

Generative AI may still be in a legal limbo, but one startup’s platform aims to solve some key challenges facing companies, artists and researchers when it comes AI-generated visual content.

Bria AI, an Israel-based AI image generator, has created new foundation AI models trained with licensed content from stock image powerhouse Getty Images and other sources such as content marketplaces like Alamy and Envato. While giants like OpenAI, Google and Microsoft face legal battles over whether their AI platforms were created with permissible content, Bria says it’s taking a “responsible” approach by only using permissible content from the start. Getty Images, which became a minority investor in Bria last fall, collaborated on the licensing deal, but the AI model was trained by Bria as a proprietary product of the startup. Revenue from the text-to-image platform and other tools is distributed equally between Bria and the various data owners, content generators and creators.

Along with the new foundation models released today, Bria also developed an attribution model that can help researchers see how data sets — in this case specific photos — influence an AI model. However, it also plans to use that same technology to compensate creators when the AI platform generates images based on their photos. According to Bria co-founder and CEO Yair Adato, the payment model is similar to Spotify’s, which doles out nano payments to artists based on music streams. He also noted Bria mitigates harmful content by blocking users from creating images unless the images already exist in the data set.

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‘Nothing is ready for prime time’: Journalists push back against publications’ race to have newsrooms use generative AI tools

Journalists have a message for their employers: generative AI tools are not good enough yet for writing articles.

Digiday spoke to seven journalists at five digital publishers experimenting with artificial intelligence tools to find out what they thought about their organizations testing the technology to create content. All of them said they wanted their managers to proceed with caution. Their stance is the technology is not good enough for content generation (yet), and ultimately they’re concerned that the adoption of AI for editorial purposes is a threat to their jobs.

“I’m not sure that the technology is ready [in] the way that managers of newsrooms think it is,” said one G/O Media employee, who requested anonymity in order to speak freely. “I don’t think any of us are very fired up about being the guinea pigs [and] having the outlets that we represent being the guinea pigs for this.”

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Patreon Puts In-App Relationship First Via Community Chats, Membership Profiles

In a move to forge deeper relationships between registered creators and the fans that support them, Patreon has introduced a community chat feature as well as member profiles.

Judge Sides With Meta In Battle Over Holocaust Film Ads

Siding with Meta Platforms, a federal judge has thrown out a lawsuit alleging that the company wrongly banned ads on Facebook for the Holocaust-related movie “Beautiful Blue Eyes.”