We’re already seeing the fallout from Apple’s war on cookies

The predictions are now a stark reality. With its Q3 earnings release in early November, Criteo confirmed what until then had been only speculation: Apple’s new Intelligent Tracking Prevention feature, rolled out with the latest version of its Safari browser in September, is taking a heavy toll on retargeters and industry players that rely on third-party cookies to track and place advertisements.

Criteo said during its earnings call that the feature negatively affected its third-quarter r
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MarTech Today: The year in B2B marketing innovation, how ad agencies can survive in an AI-first world & more

Here’s our recap of what happened in marketing technology, as reported on MarTech Today, Marketing Land and other places across the web.
From MarTech Today:

2017: The year in B2B marketing innovation
Dec 26, 2017 by Peter Isaacson
As we close in on the new year, columnist Peter Isaacson takes a look back at the trends that shaped B2B marketing and anticipates how they’ll continue to unfold in 2018.

From Marketing Land:

6 ways ad agencies can thrive in an AI-first world

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Nintendo Delays Rollout of Larger Switch Game Cards Until 2019

Nintendo told outside game developers it is delaying delivery of 64-gigabyte game cards for the Switch console, meaning gamers may have to wait longer for some data-rich software titles.
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Nintendo Delays Rollout of Larger Switch Game Cards Until 2019

Nintendo told outside game developers it is delaying delivery of 64-gigabyte game cards for the Switch console, meaning gamers may have to wait longer for some data-rich software titles.
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Walmart pulls Lord Ganesha plush doll following furious response from Hindus

Hindus have vented their fury against Walmart, which has now withdrawn the sale of Ganesh Plush Doll.

 

Lord Ganesha in Hindu religion is regarded as God of obstacles and worshiped by everyone and Walmart’s product description that “now he’s also the god of cuddliness” offended everyone.

 

 Rajan Zed, president of Universal Society of Hinduism thanked Walmart for understanding the concerns of Hindu community which thought that marketing Lord Ganesh as a plush doll was trivializing and insensitive.

 

Zed further suggested that Walmart and other companies should send their senior executives for training in religious and cultural sensitivity so that they had an understanding of the feelings of customers and communities when introducing new products or launching advertising campaigns.

 

Earlier, Meat & Livestock Australia was urged to withdraw ad featuring Ganesh amid Hindu protest

 

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Can Central Banks Keep Control of Interest Rates?

Investors are elated by a booming global economy and the promise of central banks to tighten monetary policy only gradually. But a question haunts them: Will interest rates develop a mind of their own?
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Latest Entrants Into Electric Car Race: Makers of Post-Its, Paint

Auto makers and ride-hailing apps aren’t the only companies looking to cash in on the shift to electric and self-driving vehicles. Old-line industrial companies such as 3M and paint maker PPG Industries are among those racing to figure out ways to get their products into the cars of the future.
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Creative Works: The best creative campaigns of 2017

The Drum received plenty of creative submissions over the last year, enough to fill 52 weeks of Creative Works roundups in our three regions – EMEA, Americas and Asia. While many campaigns were worthy and deserving, a few stood out in each region as our favorites.

Take a look through the choices made by The Drum’s Creative Works team and see what you think, then vote on which ones you feel are the best by clicking on the stars. 

These campaigns range from the humorous to the amazing, the dramatic to serious social issues. For the rest of the best, visit our Ad of the Day page, and check back each week for our Creative Works roundups.

EMEA

Europe, the Middle East and Africa represented the largest bulk of submissions.

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: Norges Bank ‘Torsken kommer II – Torske kroner nå’

Agency:
Client: Norges Bank
Date: May 2017
Norges (Norway) Bank has taken a unique approach to public service announcements and released a sea-themed music video to spread the word about its new 200-krone banknote.
The comedy spot features three of Norway’s most celebrated comedians – Knut Lystad, Lars Mjøen and Jon Niklas Rønning – as well as a rap from DJ Codfather and a cameo from central bank governor Øystein Olsen. The nautical theme pays homage to the 200-krone bill prominently featuring a codfish.
Non-Norweigan speakers may find the video hard to understand as, according to a spokesperson from the bank, “it includes many rhymes and references to Norwegian popular culture unknown to an international audience”. However, roughly translated, the song is about the Norwegian cod coming in from the sea and being transformed by Norges into money.
The spot, which is a remake of a 1980s comic tune, is the brainchild of Norges Bank’s communication department. The team enlisted Lystad, Mjøen and Rønning to pen new lyrics and record the song with composer Ketil Schei, while the video was recorded at Norges Bank, the First Hotel Grims Grenka and the port of Oslo in April.
“The response we have gotten have far exceeded our expectations, with over 220 000 views on Facebook and YouTube combined so far,” Andreas Andersen, head of communications at Norges Bank, told The Drum. “Comments are overwhelmingly positive, and many have expressed positive surprise to see a central bank using relatively unconventional methods (in a central bank context) to spread knowledge about the new banknote series. 
“We are very pleased that so many are enjoying the video, as we certainly had fun making it together with the fabulous comedy trio Lystad-Mjøen-Rønning and their professional team.”
Credits:
 

 
 
 
 
 
 
 
 
 
 
Director
Helge Lyngstad
Light, sound and camera
Cato Johansen
Songwriting
Knut Lystad
Lars Mjøen
Jon Niklas Rønning
Ketil Schei​
Communications
Andreas Andersen
Bård Ove Molberg
Nils Stian Aasheim
Tags: Norway, Ad of the Day
 
 
 
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Americas

While the US still generates the greatest amount of submissions, Brazil, Argentina and Canada are making inroads and establishing themselves as great creative countries.

WorkInProgress: 37.5 Technology/Cocona ‘The Cliffside Shop’

Agency: WorkInProgress
Client: 37.5 Technology/Cocona
Date: August 2017
Outdoor brand 37.5 Technology opened a remote pop-up shop 300 feet up on the side of a cliff in Colorado to cater to climbers on the go.
The Cliffside Shop was opened by materials maker Cocona Inc, which makes the 37.5 Technology fabric, which is found in performance brand products like Carhartt, Tommy Bahama, Katusha, Mission, Bauer, Kenneth Cole, Babolat and others.
The dizzying stunt shop, was opened on the Bastille Wall in Eldorado Canyon, just outside Boulder, Colorado and supplied climbers with apparel from Adidas, Rab, and Point6, allowing customers to test the gear in real-time. 
Cocona raised awareness and support of the company’s ongoing mission to provide access to public lands for climbing, donating $5,000 each to the Access Fund, the American Alpine Club, and the Action Committee for Eldorado (ACE) to replace aging anchors.
Credits:
 

 
 
 
 
 
 
 
 
Agency: WorkInProgress
Client: 37.5/Cocona
Jeff Bowman: CEO
Christy Raedeke: EVP, Marketing & Sales
Dave Bywater: VP, Sales Commercial & Military
Alex Joyce: Marketing Assistant
 
Agency: WorkInProgress
Partner/Creative: Matt Talbot
Partner/Creative: Andrew Lincoln
Partner/Business + Legal: Pete Sheinbaum
Partner/Production: Stafford Bosak
Partner/Account + Strategy: Evan Russack
Partner/Account + Strategy: Alex Guerri
Partner/Technology: Harold Jones
CD: Stephanie Kohnen
Art Director: Jimmy Rosen
Business Affairs: Jen DeCastro
Production Company: Shine & Polish
Director: Jon Glassberg
Executive Producer: Rich Minkoff
Photographer: Matt Irving
Line Producer: Andrew Campbell
Production Manager: Tyler Young
Fabrication Lead: Jonathan Irons
Fabrication Lead: Brian Green
PR Lead: Clarissa Driban
Editor: Jon Glassberg
Colorist: Shawn King
Motion Designer: Josh Troob
Stills Post Production: Catchlight Digital, NYC
Founder: Gene Bresler
Tags: United States
 
 
 
 
 
 
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Laughlin Constable: Fram ‘Frampa’

Agency: Laughlin Constable
Client: Fram
Date: April 2017
 
Credits:
 

 
 
 
 
 
 
CEO, President – Mat Lignel
Chief Creative Officer – Dan Fietsam
Chief Strategy Officer – Mark Carlson
Executive Vice President, Account Services – Renee Haber
Vice President, Media – Emily Harley
Creative Director – Jon Laughlin
Senior Art Director – Dan Koel
Copywriter – Matt Portman
Vice President, Senior Producer – Phil Smith
Group Account Director – Denise Joseph
Account Manager – Lainie Rotenberg
Senior Integration Manager – Mike Murray
Digital Strategist – Dominic Pellitteri
Senior Social Strategist – Lauren Mahomes
Production Company – Hungry Man
Director – Ric Cantor
Production Company Producer – James Kadonoff
Editorial Company – Hive
Editor – Lauren Brandoff
Motion Graphics Artist – Margaret O’Brien
Music House & Audio Mix – Mix Kitchen/Chicago
Composer – Craig J. Snider
Engineer – Sam Fishkin
Color – Nolo Digital Film/Chicago
Colorist – Mike Matusek
Tags: United States
 
 
 
 
 
 
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Asia

Our Singapore office has scoured the continent to find the best creative coming from all points between India and Japan.

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R/GA Singapore: Uber ‘Year With Uber’

Agency: R/GA Singapore
Client: Uber
Date: December 2017
Uber has brought back its data visualisation campaign #YearWithUber as a way of personalising a thank you message to its users.
Started last year, the campaign by R\GA Singapore uses Uber user data to create a personalised story about how they travelled in the past year.
Those wanting to make a video must be based in specific markets in Asia Pacific (Australia, New Zealand, Hong Kong, Indonesia, India, Malaysia, Philippines, Singapore, Thailand, Taiwan and Vietnam) and have an Uber account and can create it by logging into the website
This year the data is used to create a ‘one of a kind’ music video for each user, based off location personalisation, as well as a combination of 5,000 story and song combinations. For each country, different cultural visual cues will be used, such as cricket in India and tuk tuks in Thailand. Kay statistics are presented, such as when you most travelled, how many miles you clocked up and how many cities were visited. Presumptions are made, which dictate the video content, such as pointing out that you rode on a particular milestone, like Chinese New Year.
 
Credits:
 

 
 
 
 
 
 
 
 
 
R/GA
Senior Technology Director – Laurent Thevenet
Senior Software Engineer – Rollen Gomes
Software Engineer – Aaron George
Senior QA Engineer – Donna Gonzales-Mapagu
Senior Technology Director, DevOps – Nauman Hafiz
Software Engineer – Dragon Chiang
NYU Intern, Prototype Studio – Bruce Luo
SUTD Intern, Prototype Studio – Ruth Wong
Creative Director – Cyril Louis
Associate Creative Director – Pimwadee Lai
Associate Creative Director – Mark Law
Visual Designer – Daseul An
Senior Producer – Sebastien Py
Group Account Director – Joe Poynter
Audio – Fuse
Illustration/Animation – Le Cube
Tags: Singapore, Uber
 
 
 
 
 
 
 
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The World's Most Creative Women: Resh Sidhu, Framestore

In a continuing drive for greater diversity and inclusion in marketing and advertising, a new feature by The Drum highlights conversations with top creative women in the industry. 

All were nominated for The Drum’s global Woman of the Year award at The Drum Creative Awards, sponsored by Facebook, One Minute Briefs and in partnership with Creative Equals. The award is designed to push equality boundaries within the creative industry to spark discussion and action.

From icons and pioneers to prominent creative directors and designers, we asked each of them how diversity creates better work, the positive changes the industry can make, what keeps these creatives going in an ever-changing world and how greater diversity can grow the business.

Leading into the new year, this series will reveal more of The Drum’s global Woman of the Year award nominees.

Today, we speak to Resh Sidhu, digital creative director of VR, MR, AR at Framestore.

From your experience and point of view, how does a more diverse creative team create better work? What have been some examples of that in action? 

It is without a doubt that more diverse teams create better work. The ability to integrate different points of view truly enhances the work and creativity. Different people bringing their unique perspectives help change and challenge the ideas and push the work and thinking into new uncharted territory. Working on Fantastic Beasts and Where to Find them VR experience with Warners and Google was a brilliant example of a diverse and gender-balanced team. We would not have arrived at some of the ideas and thinking without that.

How are the conversations around creativity, and specific work/projects, different with a more gender-balanced team?

It’s all about perspectives, right? Different people from all cultures allows for more exciting and challenging conversations rather than seeing things from one side. Unless you have experienced something or understood life from another person perspective how can you possibly understand it or see the world from a different view? Until we hear some else’s reality and opinion on a subject we tend to think what we know is right – when we are open to ideas from all POV’s it opens the creative possibilities.

What changes around inclusion should the entire industry embrace today?

There needs to be a fundamental shift in mindset and culture with agencies and businesses as a whole, we need to see more women leaders and mentors to help foster and encourage a business that embraces diversity and encourages gender balance – it is no longer just about ticking boxes.

With all of the issues women face in this the creative sector, what keeps you in the industry?

Why would they stop you? My background, ethnicity or gender has never been an issue for me. If you fall down at the first hurdle in your career because it’s hard or a struggle then you will never achieve your goals. Women have adapted to the industry and we are chipping away at it, breaking down the norms and creating new ways of working. 

Will greater diversity in the industry ultimately save/grow it?

We must be fearless in pursuing our passions and goals and the challenge is to build a network of strong women and men around you – who can support, inspire and guide you. We have to be the change we want to see in the industry and the world.

The Drum Creative Awards puts creativity back in the spotlight and flies the flag for creativity during the digital revolution. These global awards are open to advertising agencies, design consultancies, digital agencies, production companies, marketing agencies, PR and more.

To register your interest for 2018, go to the event website.

This years awards were sponsored by: Facebook Creative Shop and One Minute Brief and partnered with: Creative Equals.

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Retailers Offer Myriad Returns Options to Retain Customers

After a strong holiday shopping season, retailers are bracing for a flood of returns—and not just at the customer service counter.
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