Data-Labor-Technology

When Day One opened its doors in March 2014, its main mission was to “stop the world in its tracks with stories that connect,” according to agency CEO Josh Rosenberg. That’s happening more and more on mobile for a lot of brands, including some of Day One’s clients: American Express, Chipotle, Nike and Victoria’s Secret….

While art and writing go hand in hand, they’re typically thought of separately in the advertising industry. Agencies have copywriters, and they have designers; those roles rarely cross. But that’s not the case in Nadine Chahine’s world. The U.K. type director at Monotype beautifully combines words and designs to deliver some of the most identifiable…

Diets: They’re not just for gals anymore! And by the way, it’s not a diet. It’s a lifestyle. There are major changes afoot in the weight-loss industry, with many marketers focusing on health and wellness, rather than calories, scales, inches and tape measures. And two powerful brands, Atkins and Weight Watchers, have recently taken the…

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In-app header bidding is coming to MoPub. On Tuesday, the Twitter-owned mobile ad exchange started testing an advanced bidding solution to replace the app ads waterfall with a unified auction. Roughly a dozen publishers are testing the solution. The closed beta test does not have a set end date. Until now, advertisers could buy MoPub… Continue reading »

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Product and marketing go hand in hand at OkCupid. There’s a dotted line between user engagement, platform tweaks and the deployment of marketing dollars to reach specific types of users, mainly on social channels like Facebook, Instagram and Snap, said OkCupid CMO Melissa Hobley. “Our product truth is that we create experiences based on depth,… Continue reading »

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We like it when people get sick of waiting for change to happen, because then, they often make the change themselves. This is the case for Torny Hesle and Ingrid Lea, a pair of Norwegian mothers who work as creatives at The Oslo Company. Fed up with the subtle stereotypes constantly being imposed upon their…

It takes a lot of work to create a live event that will attract the largest attendance possible. Having put the work in, you’ll want to pay just as much attention to getting those attendees to share that they are at your event with their social network of potential future attendees. It’s at these live…

Facebook’s announcement on Jan. 11th about its latest changes to its News Feed algorithm brought swift reaction from social media, agencies and others in the sector–and most of that reaction hasn’t been exactly positive. The social network announced in a Newsroom post by vice president of News Feed Adam Mosseri and in an accompanying Facebook…

NPR is adding its voice to the chorus of ad campaigns from journalistic organizations over the past year that emphasize the importance of the truth, and the search for it, in the age of Trump and fake news. New ads for Morning Edition, NPR’s nationally broadcast morning show, were created by MALFor Good, the social…

Phillip Picardi, digital editorial director of Teen Vogue, is expected to be tapped to run Teen Vogue following the departure of editor-in-chief Elaine Welteroth last week.

Condé Nast announced Welteroth was stepping down in an internal memo to staff members last Thursday, coming just eight months after she was elevated to editor-in-chief and two months after the magazine decided to shutter its print edition. Picardi is expected to fully take over operations of Teen Vogue in its completely digital state, while jointly running Them, a new LGBTQ-focused publication he founded at the end of 2017.

Sources confirmed Picardi’s Teen Vogue appointment. A Condé Nast spokesperson declined to comment on the record about the appointment, which was expected to be announced this week. Picardi did not respond to request to comment for this story.

Picardi will be tasked with regaining Teen Vogue’s momentum after a decline in digital readership. After riding a traffic high in July 2017, during which comScore reported more than 9 million unique visitors, the digital publication has taken a readership hit in recent months. By October 2017, it had dipped to just under 5 million unique visitors, before rising slightly to 5.2 million in November 2017.

In addition to navigating traffic fluctuations, the transitions at Teen Vogue point to larger tumult at Condé Nast. Like its competitors and peer organizations, the company has continued to struggle to fight against an uncertain media market that has gone from “pivoting to video” to losing visibility on Facebook. In just over a year, Self magazine shuttered its print publication completely, the relaunch of Style.com in the U.S. remained indefinitely stalled, and notable longtime editors Glamour’s Cindi Leive, British Vogue’s Alexandra Shulman and Vanity Fair’s Graydon Carter have been replaced.

Kicking off holiday party season with a proper toast to @radhikajones, the brilliant new Editor-in-Chief of @vanityfair. Such a thrill to watch her take the throne. And we all left with our very first holiday gift: v chic fox tights from the venerable Anna Wintour! If only we could gather up all the @condenast EICs for a Xmas morning family photo wearing these babies…#iconic

A post shared by Elaine Welteroth (@elainewelteroth) on Dec 14, 2017 at 7:24pm PST

Welteroth at a holiday party celebrating new Vanity Fair editor, Radhika Jones. 

Welteroth, who was the first African-American beauty director at Teen Vogue in 2012, became the second black editor-at-large in Condé Nast’s history when she was promoted to head of editorial in April 2016. While it was rumored that Welteroth would take over as head of Glamour, the glossy shared last week that it tapped CNN digital producer, Samantha Barry. According to reports, Welteroth is now expected to pursue a career in television after signing with the Creative Artists Agency. In addition to serving as the face of Teen Vogue’s newly launched summit series, she also has writing credits on ABC’s “Black-ish.” (Picardi is also expected to take over the summit series in her absence.)

Despite Welteroth’s prolifically upbeat social media posts, a former Teen Vogue staffer who spoke on the basis of anonymity said the workplace atmosphere under Welteroth was less than cheery. Rifts among Teen Vogue’s leadership allegedly began shortly after Anna Wintour, artistic director of Condé Nast, appointed Welteroth to editor-in-chief, and they continued leading into last week’s announcement.

“It created some tension, and it absolutely trickled down,” the former employee said. “It was a very difficult working environment, and it didn’t need to be. Everyone at Teen Vogue is super passionate and hard-working. They did a good job of hiring a good staff, but we weren’t treated well.”

According to the employee, what was once was a harmonious relationship between Welteroth, Picardi and creative director Marie Suter — who shared joint responsibility for the publication until Welteroth was elevated — grew soured. They said, as Welteroth became the public face of the company, she routinely took credit for the work of Picardi and his team, largely using her social media accounts to do so.

“Phil really is the person that elevated Teen Vogue to become this political powerhouse, and I think Elaine took credit for a lot of his work,” the staffer said. “It set up a situation where, once she was announced editor-in-chief, it didn’t bode well for that relationship.”

While operations allegedly grew rocky behind the scenes, Teen Vogue became a rising authority on an array of social issues, many in direct response to policies enacted by the administration of President Donald Trump. Leading into the beginning of 2017, the publication brought on Lauren Duca to run a new column called “Thigh High Feminism” and shortly after launched a “Woke Letter,” a newsletter that compiled timely articles on topics like LGBTQ issues, immigrations and sex positivity. (Duca declined to comment for this article.)

According to the staffer, when print was shuttered, Welteroth attempted to get more involved with digital to no avail, given it was already smooth-sailing under Picardi. The former employee also expressed lack of sensitivity on behalf of Condé Nast, which the source said likely had an indication that Teen Vogue was on its print deathbed when it appointed Welteroth just six months before shuttering it completely.

“The daily grind that digital takes to maintain and the output of articles you put out a day — it’s not something you can casually swoop in on,” the staffer said. “I don’t think Elaine has that many allies left at Teen Vogue. The staff was hyper aware that this was going on.”

Though Welteroth did not respond to request to comment, she took to Instagram over the weekend to share parting words with the publication, in two separate posts commemorating her time there. Picardi is not mentioned in either of the posts. (One commenter asked “Why is Phillip missing from this narrative?”)

When I moved to New York City at 21 as an editorial intern, my greatest dream was to become Editor-in-Chief. It was a goal too intimidating to even say aloud. I was convinced it was totally out of reach for someone with no connections, no trust fund, and no fancy clothes. I pursued the path anyway. Eventually, I started believing the vision placed inside of me. I learned to shrug off the fear of failure, and how to refuse the urge to shrink—even when I was asked to. . Now, at 31, God has broken the glass ceiling on all of my wildest childhood dreams. My bucket list is all checked off and somewhere along the way I’ve managed to join the ranks of unstoppable women who’ve, throughout history, stared back into the face of the unknown and decided to MAKE IT HAPPEN. . Now, it is time to dream even bigger. . After six life-changing years at Conde Nast, I’ve decided to leave the company. Leading @TeenVogue at a time such as this, alongside some of the most talented people in the industry has been the most rewarding experience of my editorial career. It has helped me discover how to use my voice to empower young people and girls. This will continue to be a major focus for me as I take my next step—because beyond the compelling covers, and groundbreaking conversations we started online, cultivating this incredible community is what I am most proud of. . You are a beautiful, inclusive tribe of thinkers, doers, and dreamers who challenge me to be better every day. Getting to know you, both online and in person, has been the absolute greatest joy of my job. And I’m excited to take you all along for the ride into my next chapter. . What I know now that I didn’t know at 21 is that life is a series of dreams realized. There is no destination, but there will be breakthrough after breakthrough along the way. Our greatest obligation is to keep reaching, to continue growing, to push beyond what seems possible, to live outside the boxes created for us. That is exactly what 2018 is about for me, and for all of us. I’m beyond excited for what the future holds—if 2017 taught us anything, it’s to never underestimate the power of a black woman…✌❤️✊ #TeenVogueForever #ontothenext

A post shared by Elaine Welteroth (@elainewelteroth) on Jan 14, 2018 at 8:11am PST

The first of Elaine Welteroth’s posts honoring her time at Teen Vogue. 

“It wasn’t easy, and it won’t be easy going forward,” she wrote in the second post. “But what I know for sure is that same spirit of reinvention (rebellion!) that transformed Teen Vogue will live on, and I could not have more confidence in the team presiding over the future of this special brand.”

 

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