‘If you don’t offer an experience, you’re not relevant’: Why banks need to be at SXSW

This weekend at Antone’s Nightclub in Austin, Texas, Capital One executives donning jeans and zip-up hoodies were scattered across the ground floor demo-ing the bank’s innovations in augmented reality, while upstairs, some of their colleagues took SXSW audience questions in a full house. Outside the window, the line snaked around the block for the next event.

It’s clear that financial services has come a long way in the past three years.

The conference circuit alone is evidence of its growth. Money20/20, once a payments focused conference, welcomed 11,000 attendees at the last U.S. event and now covers all manner of fintech. Finovate, a much smaller event that began as a giant pitch session for startups, added two days of speaker content to its last event in New York. But you’d be hard-pressed to find any financial brands at SXSW (other than Capital One, which has been a “super sponsor” of the Austin conference and festival since 2016).

Much like the industry itself — even in its own silo — the financial technology excitement at SXSW is around young startups. And banks are throwing their weight behind those. USAA was the “presenting sponsor” of the SXSW Hackathon on March 13; there are many fintech startups in town presenting at the SXSW Trade Show and a handful of fintech related panels over the course of the week; Pefin, the artificial intelligence financial adviser where former BNP Paribas executive Catherine Flax is CEO, was named a finalist in the SXSW Interactive Innovation Awards.

“I’d like to see more centralization around fintech,” said Leah Romanoff, the fintech lead for S&P Global, the centuries-old legacy fintech firm that announced largest AI deal ever last week, its $550 million acquisition of Kensho. “Fintech isn’t its own track. It’d be nice to get more granular.”

Onlookers agree that banks should have a bigger presence. They miss big opportunities for marketing, networking and above all, engagement with customers, especially millennials. Financial services companies are increasingly differentiating themselves with experiences instead of product pricing — Citi and TD Bank have created pop-up ATM gifting machines, for example. But SXSW is a mecca for experiential marketing, and financial brands are waking up to the fact that competition is no longer just the other bank, but instead the customer experience provided by other brands and setting experience expectations for financial services customers.

“People are shopping online. They’re going to places only for experience, and if you don’t offer an experience, you’re not a relevant brand,” said Joy Schoffler, chief strategy officer for Casoro Capital.

c1

Capital One House, for example, takes over Antone’s Nightclub for daily talks, workshops, demos, happy hours and music showcases in the evenings. It also ran a #GoSwagless campaign, in which they invited attendees to vote for one of three nonprofits that the bank will redirect funds to for the usual event swag.

“There are a lot of people with a big influence and following here at SX,” Schoffler said. “This is also a chance for big brands to identify themselves as innovators in front of a large audience. They have to be seen as innovative. They have to be seen as relevant and interesting.”

It doesn’t even cross banks’ minds though, she said. Banks talk about their need to tear down their silos — “we don’t actually have any silos,” one banker claimed this weekend — but the should-be-changing mentality hasn’t affected the way they choose event presence, and many still opt enthusiastically for “traditional” banking conferences, like BAI.

“You tend to operate in your industry silo, but there’s so much you can learn at events like this from super impressive innovators,” said Schoffler, an active leader within the fintech community who sits on the board for the SXSW Accelerator and used to help manage public relations for the Finovate conferences. Her background also includes board positions at major regulatory advocacy organizations.

“It doesn’t even cross their mind when they’re looking at their marketing spend,” she said. “It doesn’t compute as ‘I need to be there’ yet.”

Their glaring absence just shows that despite their suddenly fast turnaround — they’re still as large and slow as aircraft carriers at the end of the day, despite their shift from being product-centric to customer-centric — financial services innovation is still new and perhaps even a bit confused, Flax suggested.

Fintech 1.0 was about the automation of everything, she added. The companies looking beyond that, those participating in SXSW, are planning to change how people interact with their finances, which should be about more than just automation.

“SXSW is really focused on what’s transformational, what’s changing the way in which people do things,” said Flax, a 20-year banking veteran with senior leadership roles at Morgan Stanley, UBS, JPMorgan — where she was a chief marketing officer — and most recently, BNP Paribas.

“Financial services is still in it’s nascency in that,” she said. “There’s not much fintech here because there’s not much that’s really transforming the way people interact with their money or make financial decisions.”

The post ‘If you don’t offer an experience, you’re not relevant’: Why banks need to be at SXSW appeared first on Digiday.

Powered by WPeMatico

Zoosk Labs Jumps on the HQ Trivia Bandwagon With Lively

The company behind dating website and app Zoosk is putting its own spin on the HQ Trivia imitation trend with the restarting of its Lively app. Zoosk Labs debuted Lively in July 2016 as a dating app that enabled users to search for potential matches by browsing story collages made up of their videos and…

Powered by WPeMatico

5 Ways to Save Agency Holding Companies From Becoming Irrelevant

I recently got a call from an influential player in the advertising business. She had a simple question: “Are advertising holding companies relevant today? Should they even exist?” At the time I didn’t have an answer. I love advertising and agencies. The industry holds some of the smartest, most thoughtful and creative people I’ve ever…

Powered by WPeMatico

On the Adweek Podcast: SXSW, Apple’s New Ad Masterpiece and the ‘3 Billboards’ Effect

Is SXSW Interactive still a tech conference? Has “Three Billboards Outside Ebbing, Missouri” sparked a new appreciation for outdoor advertising? Can you actually make your NYC apartment bigger through interpretive dance? We tackle all these questions and more in the newest episode of Adweek’s podcast, “Yeah, That’s Probably an Ad.” You can stream the new…

Powered by WPeMatico

Is Lack of Diversity and Women in Leadership Roles Hurting Ad Tech’s Growth?

For women, building strong industry and personal partnerships is a powerful way to build influence and develop professionally. Networks provide cross-pollination of viewpoints and ideas, bring down silos and provide needed exposure for and to underrepresented groups and perspectives. Inside an organization, strong networks make it possible to work collaboratively across different offices, time zones…

Powered by WPeMatico

The Red Cross Uses AR and VR to Enter a Child’s Room in Wartime

War turns a little girl’s bright, colorful room filled with toys and plush animals into a dark den of despair in this affecting augmented reality experience from the International Committee of the Red Cross. “Enter the Room,” free for iPhone 6S and higher, takes an intensely personal and affecting approach, which you can sample in…

Powered by WPeMatico

Pinterest: Here’s How to Hide Your Profile From Search Engines

Did you know you can increase the privacy of your Pinterest profile by hiding it from search engines? When you activate this setting on your profile, users won’t be able to see your profile in their search results. Our guide will show you how to turn this setting on from within the Pinterest mobile application….

Powered by WPeMatico

Arnold’s New Creative Lead Makes First Key Hire as Agency Looks to Make a Comeback

In one of the first key hires from U.S. Chief Creative Officer Icaro Doria since arriving at the agency in August, Arnold Worldwide welcomed Fred Saldanha as executive creative director. “Fred’s entrepreneurial spirit and enthusiasm for forward-thinking creative campaigns aligns perfectly with the direction we’re taking the Arnold business,” Doria said in a statement. Stating…

Powered by WPeMatico

People in less democratic countries are more likely to say China and Russia respect personal freedoms

People who live in countries where the political system is less than “fully democratic” tend to give Beijing and Moscow higher marks for upholding individual rights than people who live in full democracies, according to a new Pew Research Center analysis of public opinion in 38 countries across the globe.

Powered by WPeMatico

Dropbox Unlocks Creative Energy at SXSW With 3 Poignant Murals From Up-and-Coming Artists

Dropbox aims to inspire the world to unleash its creative energy–and it’s staying on brand at SXSW this year with three co-created murals (no, not quite Three Billboards-style) from up-and-coming artists. With the activation, Dropbox wants to “tell our story about helping people to collaborate, find flow and work together in a meaningful way,” said…

Powered by WPeMatico