Consumer goods brands are looking more at performance-based ads

CEOs at consumer goods companies are feeling the heat from investors to deliver top-line growth, forcing them to treat marketing as a value driver rather than a cost.

Investors used to hail digital expenditure of CPG companies as an important metric for growth, said Alan Erskine, managing director at Credit Suisse, at an Advertising Association event in London on Jan. 25. But that stance has shifted amid concerns over digital ad effectiveness, the Facebook-Google duopoly and transparency, as growth in the CPG category remains elusive.

Investors are now asking whether the sector’s “cost-cutting scalpel has been cutting into muscle rather than fat,” he said. Perhaps sensitive to this, CEOs have upped pressure on senior marketers to justify their investments, as many companies in the sector abandoned their margin targets in the second half of 2017, in favor of greater investment behind top-line growth, Erskine added.

Procter & Gamble summed up the shift in its latest update to financial analysts on Jan. 23. Whereas previous updates highlighted the company’s marketing efficiency savings to the bottom line, chief financial officer Jon Moeller drew analysts’ attention to investment increases in the latest update. P&G increased ad spend by 2 percent in its last quarter, said Moeller, and further rises are planned.

The world’s largest advertiser is spending more on advertising that drives its business goals ahead of the arrival of growth-focused activist investor Nelson Peltz to its board in March.

Peltz’s influence, according to some analysts, is already being felt at P&G after it revealed it will continue to cut agency and advertising investments, even after a year of cutbacks to media and production budgets. It will reduce the 2,500 agencies by an additional 50 percent this year, the latest in a culling that dates back to 2014, when it had 6,000 agencies. The advertiser will also automate more of its media planning and take more media buying in-house. Creative talent is something P&G is prepared to pay for, said Moeller, but under “fixed and flow” arrangements that let its marketers increase and decrease spend based on performance-based models.

The need to position marketing as a growth driver to investors was also outlined in Diageo’s quarterly financial update on Jan. 25. The alcohol maker saw a 1.7 percent increase in sales on a marketing budget of £968 million ($1.4 billion) in the first half of its 2018 financial year, up from the £908 million ($1.3 billion) a year prior. CEO Ivan Menezes attributed the sales growth to Diageo’s increased spend on effective media and described the software it now uses to unearth those efficiencies. Diageo is “looking to get our pounds to work harder by driving improved effectiveness enabled by the rollout of our marketing Catalyst tool,” said Menezes.

Nearly all of Diageo’s 1,200 marketers across its global business use the Catalyst tool, which launched in 2015, to establish the right budget for each brand based on potential profit and the performance of previous marketing activities, while also determining the impact of planned campaigns. In India, for example, marketers used Catalyst for its Royal Challenge and McDowell’s No. 1 brands during the first part of its financial year and gained “well over” £1.5 million ($2.1 million) of value compared to the original plan, said Menezes.

Like P&G’s Moeller, Menezes operates in a CPG market where the investor narrative around businesses is starting to change.

The markets have shaken off the effects of “monetary uneasiness” of recent years, said economist Vicky Pryce at the same Advertising Association event. Despite the aftershocks of Brexit negotiations across Europe, a slowing U.S. economy and the death of manufacturing in China, the global economy held up in the latter half of 2017, as reflected by the International Monetary Fund’s latest predictions. The global economy is expected to grow at a rate of 3.9 percent this year, faster than the 3.7 percent in 2017, fueled by emerging markets and developing economies, according to the IMF. “After a period where it wasn’t happening, we now have synchronized growth in world trade,” Pryce added.

The world’s economic prospects were reflected in recent forecasts for global ad spend. Global ad spend will rise 3.1 percent in 2018, up from 3.1 percent in 2017, according to the latest estimates from Dentsu Aegis Network.

The difference between being asked to drive growth and shave costs to CPG advertisers is in what happens to that money. Previously, that money would have fallen into a company’s profit line, whereas now, there’s more impetus to spend it on better-performing ads.

As media trading becomes more transparent and therefore more accountable, the commercial model will favor better-quality inventory, which comes at a high cost. Some advertisers like L’Oréal and Barclays have already told agencies they’re willing to pay more for quality inventory to avoid poor viewability, risk of ad fraud and the potential to appear in unsafe environments. The prevailing wisdom appears to be this: Cuts to advertising costs aren’t over at CPG companies, but most want to spend more on what’s working. Now that a cleanup of the media supply chain is underway, those advertisers are changing what ads they buy rather than spending less on them.

The post Consumer goods brands are looking more at performance-based ads appeared first on Digiday.

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Debunking common blockchain-saving-advertising myths

Like with any overhyped topic, the buzz around blockchain and cryptocurrencies is blurring the lines between fact and fiction.

Ongoing problems like bot fraud, ad misplacement scandals and the long-criticized opacity of the programmatic ad trading ecosystem have led businesses to latch on desperately to blockchain as the potential cure that can fix what many have described as a broken advertising model.

But a lot of the noise around how the technology can be applied to advertising and media is just that: noise. Here’s a look at myths about blockchain’s use within advertising.

Myth: It’s the panacea for fixing ad fraud
Using blockchain to fix the issues of ad fraud and transparency sounds great in theory, but it’s probably too good to be true. For starters, blockchain works in a decentralized format, where networks around the world verify transactions. Given the speed at which ad transactions occur (hundreds of thousands per second), blockchain can’t yet validate transactions fast enough, creating latency problems. To counter this, some ad tech vendors are aggregating ad transactions into one block to create a single transaction. “That means the data is aggregated, so the transparency is already under question there,” said Elena Yegorova, CTO at ad tech firm London Media Exchange.

Another barrier: Everyone in the value chain needs to apply blockchain software to achieve full transparency in digital ad transactions. Otherwise, it will only be a “snapshot” of transparency, Yegorova added. Because it’s costly to implement, many industry observers believe it’s unlikely that every business will adopt it. “You’re looking at a minimum of hundreds of thousands [of pounds] for implementation, plus ongoing costs,” she said.

Myth: Blockchain is bitcoin
Blockchain is not the same as bitcoin, but the noise around both is causing confusion. Some believe the mania around cryptocurrencies is having a negative impact on blockchain’s future. “There is ignorance about the differences between bitcoin and blockchain, and because there is this bubble of cryptocurrencies raising billions in ICOs [initial coin offerings] and the fact a lot of those ICOs were not legitimate businesses, that sets a question mark around the whole piece, which is unwarranted and not right,” said Mary Keane-Dawson, CEO of media agency Truth, which uses blockchain technology. There’s a fair amount of posturing around blockchain, with people claiming they understand it when they don’t, according to Keane-Dawson.

One of the main points of confusion is the difference between the type of token needed for blockchain and the kind needed for cryptocurrencies. “You do need a token to run blockchain, but it can be a utility like a bit of programming that activates an event in the ad tech value chain, rather than a coin,” said Keane-Dawson. “If you want to have a coin that is traceable, then inevitably you’re going to have volatility. And in the media and advertising space, we couldn’t do that, as it would lead to clients and customers not really understanding what their token is worth today.”

Myth: It’s a chance to make a quick buck
Dogged by issues like hidden tech fees, arbitrage and bot fraud, programmatic ad trading hasn’t earned the best reputation this year. That’s why so many people are jumping on the blockchain bandwagon to paint themselves as companies trying to solve the crisis, not add to it. But it’ll be relatively easy to separate the genuine attempts from the opportunists. “If you announce blockchain, it must be certified and audited, so it is difficult to fake it,” Yegorova said. Expect a bunch of companies that have loudly touted their plans to build blockchain businesses quietly fade away once they realize what it will take, and how much it will cost, to build one.

Myth: Blockchain’s most useful application within advertising is cracking fraud
Those that don’t think blockchain will fix ad fraud and transparency issues believe better uses exist for the technology: to help publishers, ad tech vendors and marketers keep on top of consumer consent once the General Data Protection Regulation, and potentially the ePrivacy Regulation, are enforced. That would also potentially give independent ad tech vendors a fighting chance against the likes of data-rich companies like Google, Facebook and Amazon when it comes to competing in a post-GDPR world, according to Ciaran O’Kane, CEO of ExchangeWire. “Blockchain really could be transformational in advertising, just not for inventory transparency purposes but for data use and privacy,” he said.

The post Debunking common blockchain-saving-advertising myths appeared first on Digiday.

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Bloomberg Digital hires Julia Beizer as its first head of product

Bloomberg Media wants to build stronger bonds with its audience across devices in 2018, so it’s hired its first digital head of product in Julia Beizer, formerly of The Washington Post and HuffPost.

Beizer, whose appointment is set to be announced Jan. 29, will oversee a wide range of products, including Bloomberg’s desktop and mobile site, growing suite of OTT apps and video products like TicToc, which now has 750,000 daily viewers. She will also work to get Bloomberg Digital’s various departments, including licensing and distribution, working together more efficiently.

“This is an efficiency play and a best practices play,” said M. Scott Havens, Bloomberg’s global head of digital.

At its core, Beizer’s job will be to grow Bloomberg’s audience and get people to read and watch more of its content. To that end, a key focus of hers will be to personalize the experience people have on and across Bloomberg’s sites and apps.

Some of that work has already started. In October, Bloomberg began pushing its sites’ and apps’ most engaged visitors to register, if they hadn’t already, and provide information about their interests to make their future visits more personalized.

Bloomberg launched a personalized section of its Apple TV app, called “For You,” the contents of which were tailored according to each user’s consumption of content. That effort helped lift consumption: Last month, viewers that watched videos in the “For You” section consumed almost 11 videos per session on average, 29 percent more than those that didn’t.

For now, that personalization is only available on Apple TV, one of eight OTT video platforms Bloomberg’s video is available on. “Right now, you’ll find us in a lot of places because we don’t want to miss a chance to connect with our consumers,” said Havens, adding that he expects to see OTT platform consolidation in the next year to 18 months.

Whether the number of platforms decreases or not, delivering more experiences like that will be a key priority of Beizer’s. In her estimation, publishers have yet to fully harness the potential of personalization. “There’s real user service there that doesn’t run into the risk of filter bubbles, that I don’t think we as an industry are nailing yet,” Beizer said.

The hope is that the push for more personalization ultimately will translate to ad revenue. Bloomberg Media, to which Bloomberg Digital belongs, grew digital advertising 26 percent in 2017, due in part to an expansion of its display business; digital revenue now accounts for more than 50 percent of Bloomberg’s advertising revenue. Bloomberg’s global digital audience also grew 26 percent, helped by the use of platforms including Twitter and Asia-focused Line.

The post Bloomberg Digital hires Julia Beizer as its first head of product appeared first on Digiday.

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Future tech site T3’s e-commerce revenue exceeds its display revenue

In the rush to diversify revenue streams, plenty of publishers have dropped e-commerce widgets onto their sites to drive incremental revenue. For its e-commerce push, special-interest publisher Future has overhauled its content strategy and redesigned its content platform. As a result, e-commerce revenue overtook display ad revenue on Future’s T3 tech brand for the first time last November.

Last September, T3 redesigned and restructured its site, honing its content to make e-commerce, rather than display ads, the dominant revenue model.

As a result of the changes, e-commerce revenue jumped 120 percent last December compared to the same time the previous year, according to the publisher. Now, 10 percent of the people who visit T3 make a purchase. Traffic to the site has also increased by 12 percent year over year, thanks to the changes in platform and content.

“The thesis was how do we build a site that facilitates transactions,” said Zack Sullivan, operations and marketing director at Future. “If you want to be serious about e-commerce, you need a different business model. You need different relationships with retailers; they need to tell you what is important. The KPIs, the planning, the audience research, almost everything needs to be overhauled.”

As well as creating more articles, T3 tweaked the content strategy to go broader and deeper with coverage, rather than producing multiple variations on lists and buyers’ guides. T3 focuses on gadgets and tech, but it’s moving more into men’s lifestyle and grooming, with an eye on expanding content into fashion and travel, driving bigger-ticket items for the brand. Instead of an article on the top 10 best TVs, for instance, T3’s editorial team of four people uses social and search data to write longer pieces around trending topics, such as the most interesting new technology in TVs, watching sports in style or how to perfect the best home movie night.

The team experimented with writing a higher volume of shorter, quick-hit pieces, but quickly realized that having commercial features like e-commerce widgets and display ads required more room on the page. Instead, the team settled on fewer, longer pieces that could hold more ad units.

Each article published on T3 has an e-commerce element. The publisher has an e-commerce “widget bible” outlining the different e-commerce integrations the new site allows, including buy buttons in different placements on the page. Sullivan and his team are working on understanding which placements drive the highest conversion-to-purchase rates. During busy shopping periods like Black Friday and December, buyers’ guides convert more, as people are making either-or decisions. During other periods, more specific-interest pieces perform better.

Future is no stranger to e-commerce business models: The publisher has some 50 brands across music, gaming and photography, and it has invested in its own e-commerce platform, Hawk, which it can easily customize to suit its needs. In the first half of 2017, Future generated £6 million ($8.5 million) in e-commerce revenue, accounting for 15 percent of its total revenue, according to its financial review.

So far, e-commerce revenue hasn’t cannibalized display ad revenue, to Sullivan’s surprise. Although e-commerce revenue overtook display ad revenue in November, they were equal in December, due to higher viewability and ad demand.

Building the new e-commerce platform increased the number of native e-commerce units, while cutting several display ad units and replacing them with different formats like lazy-load ads, which load only when in view and speed up page performance. This increased viewability from 65 percent to above 80 percent, according to the publisher.

December always leads to a spike in bid activity on the open auction, as retailers with large budgets looking for tech enthusiasts funnel more ad spend into programmatic exchanges and are willing to pay a premium, added Sullivan. On some of T3’s ad units, the eCPM increased by 80 percent because of the increase in demand and viewability.

“There’s this existential angst in the industry that if you increase viewability and decrease the number of units, can you still increase yield?” said Sullivan. “But there are still gains to be made.”

Despite the unexpected growth in display revenue, future growth for T3 will come from e-commerce revenue, due to limits on how much more viewability can improve and how much more ad demand can grow.

“We’re not a shop that does content; we’re a content site that facilitates shopping,” he said. “The new site gives a much more effective retail experience, without being crushed with commercial units.”

The post Future tech site T3’s e-commerce revenue exceeds its display revenue appeared first on Digiday.

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